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Divine cartographies : God, history and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot
Divine cartographies : God, history and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot...
Divine cartographies : God, history and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot

상세정보

자료유형  
 단행본(국외)
언어부호  
본문언어 - eng
미국국회도서관 청구기호  
PR5907-.S68 2016
자관 청구기호  
821 S719d
    기본표목-개인명  
    표제와 책임표시사항  
    Divine cartographies : God, history and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot / W. David Soud.
    발행, 배포, 간사 사항  
    Oxford : Oxford University Press , 2016.
      형태사항  
      246 p ; 23 cm.
      총서사항  
      Oxford English Monographs
      요약 등 주기  
      요약Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. 'Divine Cartographies: God, History, and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot' triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
      주제명부출표목-개인명  
      Yeats W B , 1865-1939
        주제명부출표목-개인명  
        Yeats W B , 1865-1939
          주제명부출표목-개인명  
          Jones David , 1895-1974
            주제명부출표목-개인명  
            Jones David , 1895-1974
              주제명부출표목-개인명  
              Eliot T S , 1888-1965
                주제명부출표목-개인명  
                Eliot T S , 1888-1965
                  주제명부출표목-일반주제명  
                  주제명부출표목-일반주제명  
                  책소개  
                  A study of how three modernist poets (Yeats, Jones, & Eliot) at the height of their careers drew on their religious beliefs to transform some of their greatest poems into maps of the relationship between history and eternity.

                  MARC

                   008161129s2016        enk            b        001  0  eng  d
                  ■001MOKWON01034780
                  ■00520161207144127
                  ■007ta
                  ■008161129s2016        enk            b        001  0  eng  d
                  ■020    ▼a9780198777779
                  ■020    ▼a0198777779
                  ■035    ▼a(KERIS)BIB000014159829
                  ■040    ▼a211046▼c211046▼d225006
                  ■0410  ▼aeng
                  ■05000▼aPR5907▼b.S68  2016
                  ■08204▼a821▼222
                  ■090    ▼a821▼bS719d
                  ■1001  ▼aSoud,  W.  David
                  ■24510▼aDivine  cartographies▼bGod,  history  and  Poiesis  in  W.B.  Yeats,  David  Jones,  and  T.S.  Eliot▼cW.  David  Soud.
                  ■260    ▼aOxford▼bOxford  University  Press▼c2016.
                  ■300    ▼a246  p▼c23  cm.
                  ■4900  ▼aOxford  English  Monographs
                  ■5208  ▼aRecent  critical  studies  of  late  modernism  have  explored  the  changing  sense  of  both  history  and  artistic  possibility  that  emerged  in  the  years  surrounding  World  War  II.  However,  relatively  little  attention  has  been  devoted  to  the  impact  of  poets'  theological  deliberations  on  their  visions  of  history  and  their  poetic  strategies.  'Divine  Cartographies:  God,  History,  and  Poiesis  in  W.B.  Yeats,  David  Jones,  and  T.S.  Eliot'  triangulates  key  texts  as  attempts  to  map  theologically  driven  visions  of  the  relation  between  history  and  eternity.  W.  David  Soud  considers  several  poems  of  Yeats's  final  and  most  fruitful  engagement  with  Indic  traditions,  Jones's  The  Anathemata,  and  Eliot's  Four  Quartets.  For  these  three  poets,  working  at  the  height  of  their  powers,  that  project  was  inseparable  from  reflection  on  the  relation  between  the  individual  self  and  God;  it  was  also  bound  up  with  questions  of  theodicy,  subjectivity,  and  the  task  of  the  poet  in  the  midst  of  historical  trauma.  Drawing  on  the  fields  of  Indology,  theology,  and  history  of  religions  as  well  as  literary  criticism,  Soud  explores  in  depth  and  detail  how,  in  these  texts,  theology  is  poetics.
                  ■60010▼aYeats,  W.  B.▼q(William  Butler)▼d1865-1939
                  ■60010▼aYeats,  W.  B.▼q(William  Butler)▼d1865-1939▼xCriticism  and  interpretation.
                  ■60010▼aJones,  David▼d1895-1974
                  ■60010▼aJones,  David▼d1895-1974▼xCriticism  and  interpretation.
                  ■60010▼aEliot,  T.  S.▼q(Thomas  Stearns)▼d1888-1965
                  ■60010▼aEliot,  T.  S.▼q(Thomas  Stearns)▼d1888-1965▼xCriticism  and  interpretation.
                  ■650  0▼aReligion  in  literature.
                  ■650  7▼aReligion  in  literature.▼2fast▼0(OCoLC)fst01732559
                  ■655  7▼aCriticism,  interpretation,  etc.▼2fast▼0(OCoLC)fst01411635
                  ■999    ▼a박흥준▼c고유미

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