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Ex-centric migrations : Europe and the Maghreb in Mediterranean cinema, literature, and music
Ex-centric migrations : Europe and the Maghreb in Mediterranean cinema, literature, and mu...
Ex-centric migrations : Europe and the Maghreb in Mediterranean cinema, literature, and music

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
PN1995.9.N66-A24 2016
자관 청구기호  
기본표목-개인명  
표제와 책임표시사항  
Ex-centric migrations : Europe and the Maghreb in Mediterranean cinema, literature, and music / Hakim Abderrezak.
발행, 배포, 간사 사항  
Bloomington, Indiana : Indiana University Press , [2016]
    형태사항  
    1 online resource (xiii, 266 pages)
    서지 등 주기  
    Includes bibliographical references and index.
    내용주기  
    완전내용Disimmigration as a remedy for the illness of immigration in Ismae?l Ferroukhi's Le grand voyage -- "Burning the sea" : clandestine migration across the Mediterranean in Francophone Moroccan Iitterature -- Southward road narratives : how French citizens become clandestine immigrants in Algeria -- The new Eldorado in Mediterranean music -- Europe bound : shooting "illegals" at sea -- Heading home : post-mortem road narratives -- Conclusion : "white sea of the middle" or "wide sea to meddle in"?
    요약 등 주기  
    요약Writing in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) are no longer trekking to France, but instead are drifting toward other destinations like Spain, Italy, Great Britain, Germany, the Netherlands, and the Middle East. Abderrezak locates this migratory shift away from France in literary, cinematic, and musical representations of the emigrant's journey. Contrary to mass media coverage and mainstream political discourse, these cultural productions reveal new patterns of human movement and an alternative mapping of the Mediterranean.
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    기타형태저록  
    Print version Abderrezak Hakim author Ex-centric migrations
    전자적 위치 및 접속  
      링크정보보기

    MARC

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    ■24510▼aEx-centric  migrations▼bEurope  and  the  Maghreb  in  Mediterranean  cinema,  literature,  and  music▼cHakim  Abderrezak.
    ■260    ▼aBloomington,  Indiana▼bIndiana  University  Press▼c[2016]
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    ■504    ▼aIncludes  bibliographical  references  and  index.
    ■5050  ▼aDisimmigration  as  a  remedy  for  the  illness  of  immigration  in  Ismae?l  Ferroukhi's  Le  grand  voyage  --  "Burning  the  sea"  :  clandestine  migration  across  the  Mediterranean  in  Francophone  Moroccan  Iitterature  --  Southward  road  narratives  :  how  French  citizens  become  clandestine  immigrants  in  Algeria  --  The  new  Eldorado  in  Mediterranean  music  --  Europe  bound  :  shooting  "illegals"  at  sea  --  Heading  home  :  post-mortem  road  narratives  --  Conclusion  :  "white  sea  of  the  middle"  or  "wide  sea  to  meddle  in"?
    ■520    ▼aWriting  in  the  wake  of  the  political  and  social  uprisings  known  as  the  "Arab  Spring"  and  the  restrictive  European  immigration  policies  that  followed,  Hakim  Abderrezak  contests  the  common  notion  that  emigrants  from  former  European  colonies  migrate  predominantly  to  the  land  of  the  ex-colonizer.  Focusing  particularly  on  clandestine  migration  practices,  he  shows  that  despite  a  linguistic  affinity,  a  tradition  of  labor,  and  additional  historical  ties  with  the  colonizer,  migrants  from  the  Maghreb  (Morocco,  Algeria,  and  Tunisia)  are  no  longer  trekking  to  France,  but  instead  are  drifting  toward  other  destinations  like  Spain,  Italy,  Great  Britain,  Germany,  the  Netherlands,  and  the  Middle  East.  Abderrezak  locates  this  migratory  shift  away  from  France  in  literary,  cinematic,  and  musical  representations  of  the  emigrant's  journey.  Contrary  to  mass  media  coverage  and  mainstream  political  discourse,  these  cultural  productions  reveal  new  patterns  of  human  movement  and  an  alternative  mapping  of  the  Mediterranean.
    ■588    ▼aDescription  based  on  online  resource;  title  from  digital  title  page  (viewed  on  June  14,  2016).
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    ■77608▼iPrint  version▼aAbderrezak,  Hakim,  author▼tEx-centric  migrations▼dBloomington  :  Indiana  University  Press,  2016▼z9780253020659▼w(DLC)    2016014975
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