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Beyond boundaries : rethinking music circulation in early modern England
Beyond boundaries : rethinking music circulation in early modern England / edited by Linda...
Beyond boundaries : rethinking music circulation in early modern England

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
ML286.2
자관 청구기호  
표제와 책임표시사항  
Beyond boundaries : rethinking music circulation in early modern England / edited by Linda Phyllis Austern, Candace Bailey and Amamda Eubanks Winkler.
발행, 배포, 간사 사항  
Bloomington, Indiana : Indiana University Press , [2017]
    형태사항  
    1 online resource.
    총서사항  
    Music and the early modern imagination
    서지 등 주기  
    Includes bibliographical references and index.
    내용주기  
    완전내용Cover; Contents; Acknowledgments; Note on Transcription; List of Abbreviations and Library Sigla; Introduction: Rethinking Boundaries in Musical Practice and Circulation; 1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister; 2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630; 3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England; 4. Thomas Campion's "Superfluous Blossomes of His Deeper Studies": The Public Realm of His English Ayres
    내용주기  
    완전내용5. Oyez! Fresh Thoughts about the "Cries of London" Repertory6. "Locks, Bolts, Barres, and Barricados": Song Performance, Gender, and Spatial Production in Richard Brome's The Northern Lass; 7. "Lasting-Pasted Monuments": Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad; 8. The Challenge of Domesticity in Men's Manuscripts in Restoration England; 9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke; 10. Music and Merchants in Restoration London; 11. Daniel Henstridge and the Aural Transmission of Music in Restoration England
    내용주기  
    완전내용12. Courtly Connections: Queen Anne, Music, and the Public Stage13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain; 14. From London's Opera House to the Salon? The Favourite (and Not So "Favourite") Songs from the King's Theatre; 15. Education, Entertainment, Embellishment: Music Publication in the Lady's Magazine; Selected Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
    요약 등 주기  
    요약English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-지명  
    부출표목-개인명  
    부출표목-개인명  
    Bailey Candace , 1963-
      부출표목-개인명  
      기타형태저록  
      Print version
      총서부출표목-통일표제  
      Music and the early modern imagination.
      전자적 위치 및 접속  
        링크정보보기

      MARC

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      ■24500▼aBeyond  boundaries▼brethinking  music  circulation  in  early  modern  England▼cedited  by  Linda  Phyllis  Austern,  Candace  Bailey  and  Amamda  Eubanks  Winkler.
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      ■504    ▼aIncludes  bibliographical  references  and  index.
      ■5050  ▼aCover;  Contents;  Acknowledgments;  Note  on  Transcription;  List  of  Abbreviations  and  Library  Sigla;  Introduction:  Rethinking  Boundaries  in  Musical  Practice  and  Circulation;  1.  Tudor  Musical  Theater:  Sounds  of  Religious  Change  in  Ralph  Roister  Doister;  2.  English  Jesuit  Missionaries,  Music  Education,  and  the  Musical  Participation  of  Women  in  Devotional  Life  in  Recusant  Households  from  ca.  1580  to  ca.  1630;  3.  The  Transmission  of  Lute  Music  and  the  Culture  of  Aurality  in  Early  Modern  England;  4.  Thomas  Campion's  "Superfluous  Blossomes  of  His  Deeper  Studies":  The  Public  Realm  of  His  English  Ayres
      ■5058  ▼a5.  Oyez!  Fresh  Thoughts  about  the  "Cries  of  London"  Repertory6.  "Locks,  Bolts,  Barres,  and  Barricados":  Song  Performance,  Gender,  and  Spatial  Production  in  Richard  Brome's  The  Northern  Lass;  7.  "Lasting-Pasted  Monuments":  Memory,  Music,  Theater,  and  the  Seventeenth-Century  English  Broadside  Ballad;  8.  The  Challenge  of  Domesticity  in  Men's  Manuscripts  in  Restoration  England;  9.  A  Midcentury  Musical  Friendship:  Silas  Taylor  and  Matthew  Locke;  10.  Music  and  Merchants  in  Restoration  London;  11.  Daniel  Henstridge  and  the  Aural  Transmission  of  Music  in  Restoration  England
      ■5058  ▼a12.  Courtly  Connections:  Queen  Anne,  Music,  and  the  Public  Stage13.  Disseminating  and  Domesticating  Handel  in  Mid-Eighteenth-Century  Britain;  14.  From  London's  Opera  House  to  the  Salon?  The  Favourite  (and  Not  So  "Favourite")  Songs  from  the  King's  Theatre;  15.  Education,  Entertainment,  Embellishment:  Music  Publication  in  the  Lady's  Magazine;  Selected  Bibliography;  List  of  Contributors;  Index;  A;  B;  C;  D;  E;  F;  G;  H;  I;  J;  K;  L;  M;  N;  O;  P;  R;  S;  T;  U;  V;  W;  Y;  Z
      ■5208  ▼aEnglish  music  studies  often  apply  rigid  classifications  to  musical  materials,  their  uses,  their  consumers,  and  performers.  The  contributors  to  this  volume  argue  that  some  performers  and  manuscripts  from  the  early  modern  era  defy  conventional  categorization  as  "amateur"  or  "professional,"  "native"  or  "foreign."  These  leading  scholars  explore  the  circulation  of  music  and  performers  in  early  modern  England,  reconsidering  previously  held  ideas  about  the  boundaries  between  locations  of  musical  performance  and  practice.
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