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Hip hop at Europe's edge : music, agency, and social change
Hip hop at Europe's edge : music, agency, and social change
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML3531
- 자관 청구기호
- 표제와 책임표시사항
- Hip hop at Europes edge : music, agency, and social change / edited by Milosz Miszczynski and Adriana Helbig.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource.
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- Introduction Adriana Helbig and Milosz Miszczynski -- Part 1: Hip Hop, Postsocialism, and Democracy -- Rapping into Power: The Use of Hip Hop in Albanian Politics Gentian Elezi and Elona Toska -- Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina Jasmin Mujanovic? -- Russian Rap in the Era of Vladimir Putin Philip Ewell -- Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia Alexandra Baladina -- Part 2: Hip Hop and Emerging Market Economies -- Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture Goran Music? and Predrag Vukc?evic? -- "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture Peter Barrer -- Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia Triin Vallaste -- Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap Milosz Miszczynski and Przemyslaw Tomaszewski -- Part 3: Hip Hop on the Margins -- Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania Nicholas Tochka -- Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism Alexandre Gontchar -- Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternat캇ve Identities Through Localizat캇on in Arabesk Music Nuran Erol Is偈ik and Murat Can Basaran -- Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe Michal Ruzicka, Alena Kajanova, Veronika Zva?novcova?, and Tomas Mrhalek -- Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity Aimar Ventsel and Eleanor Peers -- Part 4: Hip Hop and Global Circulations of Blackness -- La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos Irena S?entevska -- The Power of the Words: Discourses of Authenticity in Czech Rap Music Anna Oravcova? -- "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography Todd Craig.
- 요약 등 주기
- 요약Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 주제명부출표목-지명
- 주제명부출표목-지명
- 부출표목-개인명
- 부출표목-개인명
- 기타형태저록
- Print version Hip hop at Europe's edge
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■24500▼aHip hop at Europe's edge▼bmusic, agency, and social change▼cedited by Milosz Miszczynski and Adriana Helbig.
■260 ▼aBloomington ; Indianapolis▼bIndiana University Press▼c2017.
■263 ▼a1703
■300 ▼a1 online resource.
■336 ▼atext▼2rdacontent
■337 ▼acomputer▼2rdamedia
■338 ▼aonline resource▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■50500▼tIntroduction▼rAdriana Helbig and Milosz Miszczynski --▼tPart 1: Hip Hop, Postsocialism, and Democracy --▼tRapping into Power: The Use of Hip Hop in Albanian Politics▼rGentian Elezi and Elona Toska --▼tNothing Left to Lose: Hip Hop in Bosnia-Herzegovina▼rJasmin Mujanovic? --▼tRussian Rap in the Era of Vladimir Putin▼rPhilip Ewell --▼tRap Music as a Cultural Mediator in Post-Conflict Yugoslavia▼rAlexandra Baladina --▼tPart 2: Hip Hop and Emerging Market Economies --▼tDiesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture▼rGoran Music? and Predrag Vukc?evic? --▼t"The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture▼rPeter Barrer --▼tMusic, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia▼rTriin Vallaste --▼tWearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap▼rMilosz Miszczynski and Przemyslaw Tomaszewski --▼tPart 3: Hip Hop on the Margins --▼tCosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania▼rNicholas Tochka --▼tViolence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism▼rAlexandre Gontchar --▼tUnmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternat캇ve Identities Through Localizat캇on in Arabesk Music▼rNuran Erol Is偈ik and Murat Can Basaran --▼tHip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe▼rMichal Ruzicka, Alena Kajanova, Veronika Zva?novcova?, and Tomas Mrhalek --▼tRapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity▼rAimar Ventsel and Eleanor Peers --▼tPart 4: Hip Hop and Global Circulations of Blackness --▼tLa haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos▼rIrena S?entevska --▼tThe Power of the Words: Discourses of Authenticity in Czech Rap Music▼rAnna Oravcova? --▼t"Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography▼rTodd Craig.
■5208 ▼aResponding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world.
■588 ▼aDescription based on print version record and CIP data provided by publisher; resource not viewed.
■590 ▼aMaster record variable field(s) change: 072
■650 0▼aRap (Music)▼zEurope, Eastern▼xHistory and criticism.
■650 0▼aRap (Music)▼zEurope, Central▼xHistory and criticism.
■650 0▼aRap (Music)▼xSocial aspects▼zEurope, Eastern.
■650 0▼aRap (Music)▼xSocial aspects▼zEurope, Central.
■650 7▼aRap (Music)▼2fast▼0(OCoLC)fst01089951
■650 7▼aRap (Music)▼xSocial aspects.▼2fast▼0(OCoLC)fst01089957
■650 7▼aMUSIC / Instruction & Study / Voice▼2bisacsh
■650 7▼aMUSIC / Lyrics▼2bisacsh
■650 7▼aMUSIC / Printed Music / Vocal▼2bisacsh
■650 7▼aHip-Hop▼2gnd
■650 7▼aKulturelle Identita?t▼2gnd
■650 7▼aKulturu?bertragung▼2gnd
■650 7▼aMUSIC / Genres & Styles / Rap & Hip Hop▼2bisacsh
■651 7▼aEurope, Central.▼2fast▼0(OCoLC)fst01244544
■651 7▼aEurope, Eastern.▼2fast▼0(OCoLC)fst01245079
■651 7▼aOsteuropa▼2gnd
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 4▼aElectronic books.
■7001 ▼aMiszczyn?ski, Mi흢osz▼eeditor.
■7001 ▼aHelbig, Adriana▼eeditor.
■77608▼iPrint version▼tHip hop at Europe's edge▼dBloomington ; Indianapolis : Indiana University Press, 2017▼z9780253022738▼w(DLC) 2016043843
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