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Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism
Visions of avant-garde film : Polish cinematic experiments from expressionism to construct...
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
PN1995.9.E96
자관 청구기호  
기본표목-개인명  
표제와 책임표시사항  
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism / Kamila Kuc.
발행, 배포, 간사 사항  
Bloomington : Indiana University Press , 2016.
    형태사항  
    1 online resource
    서지 등 주기  
    Includes bibliographical references and index.
    내용주기  
    완전내용Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion.
    요약 등 주기  
    요약Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema.
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-지명  
    기타형태저록  
    Print version Kuc Kamila author Visions of avant-garde film
    전자적 위치 및 접속  
      링크정보보기

    MARC

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    ■504    ▼aIncludes  bibliographical  references  and  index.
    ■5050  ▼aIntroduction  --  Protocinematic  phase:  the  pioneers  (1896-1918).  "The  cinematograph"  and  historical  consciousness:  actualities  as  the  earliest  experiments  with  film  in  the  Polish  territories  --  Discovering  medium  specificity:  the  first  Polish  claims  for  film  as  art  --  The  first  Polish  experiment  with  film:  Feliks  Kuczkowski's  animation  in  the  context  of  the  international  avant-garde  --  Polish  avant-garde  movements  and  film  (1919-1945).  Karol  Irzykowski's  Tenth  muse:  animated  film  as  the  highest  form  of  film  art  --  The  theoretical  apparatus:  Polish  futurism  and  avant-garde  film  --  Polish  avant-garde  films,  discourses,  and  the  concept  of  photogenie  --  Polish  avant-garde  film  and  constructivism  --  Conclusion.
    ■5208  ▼aWarsaw-  and  London-based  filmmakers  Franciszka  and  Stefan  Themerson  are  often  recognized  internationally  as  pioneers  of  the  1930s  Polish  avant-garde.  Yet,  from  the  turn  of  the  century  to  the  end  of  the  1920s,  Poland's  literary  and  art  scenes  were  also  producing  a  rich  array  of  criticism  and  early  experiments  with  the  moving  image  that  set  the  stage  for  later  developments  in  the  avant-garde.  In  this  comprehensive  and  accessible  study,  Kamila  Kuc  draws  on  myriad  undiscovered  archival  sources  to  tell  the  history  of  early  Polish  avant-garde  movements-Symbolism,  Expressionism,  Futurism,  and  Constructivism-and  to  reveal  their  impact  on  later  practices  in  art  cinema.
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