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Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism
Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1995.9.E96
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism / Kamila Kuc.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion.
- 요약 등 주기
- 요약Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Kuc Kamila author Visions of avant-garde film
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■24510▼aVisions of avant-garde film▼bPolish cinematic experiments from expressionism to constructivism▼cKamila Kuc.
■260 ▼aBloomington▼bIndiana University Press▼c2016.
■263 ▼a1612
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■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion.
■5208 ▼aWarsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema.
■5880 ▼aPrint version record and CIP data provided by publisher; resource not viewed.
■590 ▼aMaster record variable field(s) change: 072
■650 0▼aExperimental films▼zPoland▼xHistory and criticism.
■650 7▼aPERFORMING ARTS▼xReference.▼2bisacsh
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■650 7▼aPERFORMING ARTS / Film & Video / History & Criticism▼2bisacsh
■651 7▼aPoland.▼2fast▼0(OCoLC)fst01206891
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■77608▼iPrint version▼aKuc, Kamila author.▼tVisions of avant-garde film.▼dBloomington : Indiana University Press, 2016▼z9780253023971▼w(DLC) 2016040997
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