서브메뉴
검색
상세정보
The Rite of spring at 100
The Rite of spring at 100
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML410.S932-R5 2017
- 자관 청구기호
- 표제와 책임표시사항
- The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xxv, 520 pages) : illustrations, music.
- 총서사항
- Musical meaning and interpretation
- 서지 등 주기
- Includes bibliographical references and indexes.
- 내용주기
- 완전내용Foreword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol me?canique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers.
- 요약 등 주기
- 요약When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-통일표제
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 주제명부출표목-지명
- 부출표목-개인명
- 부출표목-개인명
- 부출표목-개인명
- 기타형태저록
- Print version
- 총서부출표목-통일표제
- Musical meaning and interpretation.
- 전자적 위치 및 접속
- 링크정보보기
MARC
008170407t20172017inuag sb 001 0 eng d■001MOKWON01237165
■003OCoLC
■00520190129144153
■006m d
■007cr
■008170407t20172017inuag ob 001 0 eng d
■019 ▼a981846339▼a984310723▼a984554616▼a1014173525▼a1018225281
■020 ▼a0253027357▼q(electronic bk.)
■020 ▼a9780253027351▼q(electronic bk.)
■020 ▼a9780253024442▼q(electronic bk.)
■020 ▼a0253024447▼q(electronic bk.)
■020 ▼z9780253024206▼q(cl ▼qalk. paper)
■020 ▼z025302420X▼q(cl ▼qalk. paper)
■035 ▼a1504518▼b(N$T)
■035 ▼a(OCoLC)981967649▼z(OCoLC)981846339▼z(OCoLC)984310723▼z(OCoLC)984554616▼z(OCoLC)1014173525▼z(OCoLC)1018225281
■037 ▼a1004735▼bMIL
■037 ▼a328CD129-8D31-443D-97EC-A3F5E4D7C1FB▼bOverDrive, Inc.▼nhttp://www.overdrive.com
■037 ▼aD48A6AA3-CBD0-48DA-9B7D-EEAC69F16E17▼bOverDrive, Inc.▼nhttp://www.overdrive.com
■037 ▼a22573/ctt1zzk9f5▼bJSTOR
■040 ▼aIDEBK▼beng▼erda▼epn▼cIDEBK▼dYDX▼dEBLCP▼dP@U▼dTEFOD▼dCUS▼dOCL▼dTEFOD▼dCNCGM▼dOTZ▼dIDEBK▼dOCLCQ▼dN$T▼dOCLCO▼dGKJ▼dJSTOR▼dUPM▼dNJR▼dOCLCQ▼dINT▼dOCLCQ▼dOCLCO
■049 ▼aMAIN
■050 4▼aML410.S932▼bR5 2017
■072 7▼aMUS050000▼2bisacsh
■072 7▼aPER003010▼2bisacsh
■08204▼a784.2/1556▼223
■090 ▼a전자도서
■24504▼aThe Rite of spring at 100▼cedited by Severine Neff, Maureen Carr, and Gretchen Horlacher, with John Reef.
■260 ▼aBloomington, Indiana▼bIndiana University Press▼c[2017]
■300 ▼a1 online resource (xxv, 520 pages)▼billustrations, music.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼aMusical meaning and interpretation
■504 ▼aIncludes bibliographical references and indexes.
■5050 ▼aForeword: a total artwork: memorable resonances and reverberations in The rite -- Acknowledgments -- Editorial notes -- Introductory essay: Stravinsky's Russia and the politics of cultural ferment -- Part I. Dancing Le sacre across the century. 1. A century of Rites: the making of an avant-garde tradition ; 2. The rite of spring as a dance: recent re-visions ; 3. Re-sourcing Nijinsky: The rite of spring and Yvonne Rainer's RoS indexical ; 4. Death by dancing in Nijinsky's Rite -- Part II. Le sacre and Stravinsky in France. 5. Le sacre du printemps: a ballet for Paris ; 6. Styling Le sacre: The rite's role in French fashion ; 7. The rite of spring, national narratives, and estrangement ; 8. Formalizing a "purely acoustic" musical objectivity: another look at a 1915 interview with Stravinsky ; 9. Racism at The rite -- Part III. Observations on Le sacre in Russia. 10. Commentary and observations on Le sacre in Russia: an overview ; 11. Stravinsky, Roerich, and old Slavic rituals in The rite of spring ; 12. Orchestral sketches of Le sacre du printemps in the National Library of Russia ; 13. Yuri Nikolaevich Kholopov: his analytical comments on The rite of spring ; 14. Leonard Bernstein's 1959 triumph in the Soviet Union ; 15. The rite of spring in Russia ; 16. "I penetrated the mystery of the spring lapidary rhythms": Baroque topoi in The rite of spring ; 17. "The great sacrifice": contextualizing the dream ; 18. An interview with composer Vladimir Tarnopolski -- Part IV. The sounds of Le sacre. 19. The physicality of The rite: remarks on the forces of meter and their disruption ; 20. How not to hear Le sacre du printemps? Schoenberg's theories, Leibowitz's recording ; 21. Rethinking blocks and superimposition: form in the "Ritual of the two rival tribes" ; 22. Stravinsky at the crossroads after The rite: "Jeu de rossignol me?canique" (Performance of the mechanical nightingale) (1 August 1913) ; 23. Dissonant bells: The rite's "Sacrificial dance" 1913/2013 ; 24. Revisiting The rite in Stravinsky's later serial music ; 25. Dionysos Monometrikos plenary essay: Resisting The rite -- Bibliography -- List of contributors -- General index -- Index of composers and their works -- Index of choreographers.
■520 ▼aWhen Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
■5880 ▼aPrint version record.
■588 ▼aOnline resource; description updated from ebook PDF (EBSCO, viewed on December 12, 2017).
■590 ▼aMaster record variable field(s) change: 600
■60010▼aStravinsky, Igor▼d1882-1971.▼tVesna svi截쟞截죛hchennai截쟞截?
■60017▼aStravinsky, Igor▼d1882-1971▼tLe sacre du printemps▼2gnd
■63007▼aVesna svi截쟞截죛hchennai截쟞截?(Stravinsky, Igor)▼2fast▼0(OCoLC)fst01358744
■648 7▼a1900-1999▼2fast
■650 0▼aBallets▼y20th century▼xHistory and criticism.
■650 7▼aMUSIC▼xMusical Instruments▼xGeneral.▼2bisacsh
■650 7▼aMUSIC▼xPrinted Music▼xBand & Orchestra.▼2bisacsh
■650 7▼aMUSIC▼xIndividual Composer & Musician.▼2bisacsh
■650 7▼aBallets.▼2fast▼0(OCoLC)fst00826066
■650 7▼aMusikalische Analyse▼2gnd
■650 7▼aRezeption▼2gnd
■651 7▼aFrankreich▼2gnd
■651 7▼aRussland.▼2gnd
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■7001 ▼aNeff, Severine▼d1949-▼eeditor.
■7001 ▼aCarr, Maureen▼eeditor.
■7001 ▼aHorlacher, Gretchen Grace▼eeditor.
■77608▼iPrint version▼z9780253024206▼z025302420X▼w(DLC) 2016039558▼w(OCoLC)949750340
■830 0▼aMusical meaning and interpretation.
■85640▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1504518
■938 ▼aEBL - Ebook Library▼bEBLB▼nEBL4835473
■938 ▼aEBSCOhost▼bEBSC▼n1504518
■938 ▼aProQuest MyiLibrary Digital eBook Collection▼bIDEB▼ncis37939777
■938 ▼aProject MUSE▼bMUSE▼nmuse59791
■938 ▼aYBP Library Services▼bYANK▼n13955234
■938 ▼aYBP Library Services▼bYANK▼n13150302
■994 ▼a92▼bN$T
■999 ▼a길미정▼c길미정
한글
ENG
日本
中文
Việt Nam