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Psychedelic popular music : a history through musical topic theory
Psychedelic popular music : a history through musical topic theory / William Echard.
Psychedelic popular music : a history through musical topic theory

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
ML3534
자관 청구기호  
기본표목-개인명  
Echard William , 1968-
    표제와 책임표시사항  
    Psychedelic popular music : a history through musical topic theory / William Echard.
    발행, 배포, 간사 사항  
    Bloomington : Indiana University Press , 2017.
      형태사항  
      1 online resource.
      총서사항  
      Musical meaning and interpretation
      서지 등 주기  
      Includes bibliographical references (pages 277-283) and index.
      내용주기  
      완전내용Delineating psychedelia: topic theory and popular music cultures -- Developments through 1966 -- The later 1960s -- The 1970s -- The 1980s and on -- Epilogue: conclusions and prospects -- Appendix A: the sample and discography -- Appendix B: the San Francisco poster sample -- Appendix C: some notes on the transcriptions.
      요약 등 주기  
      요약"Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics--highly conventional musical figures that signify broad cultural concepts--and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo-jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries." -- Publisher's description.
      주제명부출표목-일반주제명  
      주제명부출표목-일반주제명  
      주제명부출표목-일반주제명  
      주제명부출표목-일반주제명  
      기타형태저록  
      Print version Echard William 1968- Psychedelic popular music
      총서부출표목-통일표제  
      Musical meaning and interpretation.
      전자적 위치 및 접속  
        링크정보보기

      MARC

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      ■5050  ▼aDelineating  psychedelia:  topic  theory  and  popular  music  cultures  --  Developments  through  1966  --  The  later  1960s  --  The  1970s  --  The  1980s  and  on  --  Epilogue:  conclusions  and  prospects  --  Appendix  A:  the  sample  and  discography  --  Appendix  B:  the  San  Francisco  poster  sample  --  Appendix  C:  some  notes  on  the  transcriptions.
      ■520    ▼a"Recognized  for  its  distinctive  musical  features  and  its  connection  to  periods  of  social  innovation  and  ferment,  the  genre  of  psychedelia  has  exerted  long-term  influence  in  many  areas  of  cultural  production,  including  music,  visual  art,  graphic  design,  film,  and  literature.  William  Echard  explores  the  historical  development  of  psychedelic  music  and  its  various  stylistic  incarnations  as  a  genre  unique  for  its  fusion  of  rock,  soul,  funk,  folk,  and  electronic  music.  Through  the  theory  of  musical  topics--highly  conventional  musical  figures  that  signify  broad  cultural  concepts--and  musical  meaning,  Echard  traces  the  stylistic  evolution  of  psychedelia  from  its  inception  in  the  early  1960s,  with  the  Beatles'  Rubber  Soul  and  Revolver  and  the  Kinks  and  Pink  Floyd,  to  the  German  experimental  bands  and  psychedelic  funk  of  the  1970s,  with  a  special  emphasis  on  Parliament/Funkadelic.  He  concludes  with  a  look  at  the  1980s  and  early  1990s,  touching  on  the  free  festival  scene,  rave  culture,  and  neo-jam  bands.  Set  against  the  cultural  backdrop  of  these  decades,  Echard's  study  of  psychedelia  lays  the  groundwork  and  offers  lessons  for  analyzing  the  topic  of  popular  music  in  the  twentieth  and  twenty-first  centuries."  --  Publisher's  description.
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