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J. Dilla's Donuts
J. Dilla's Donuts
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML420.J113
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- J. Dillas Donuts / Jordan Ferguson
- 출판 정보
- New York:Bloomsbury Publishing2014.
- 형태사항
- 1 online resource.
- 총서사항
- 33 1/3
- 서지 등 주기
- Includes bibliographical references.
- 내용주기
- 완전내용Machine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye.
- 요약 등 주기
- 요약"From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"--해제Provided by publisher.
- 요약 등 주기
- 요약"A compelling, multidisciplinary analysis of hip-hop producer J Dilla's deathbed record Donuts as both a cultural artifact and an example of historical 'late style'"--해제Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version Ferguson Jordan 1977- author J Dilla's Donuts
- 총서부출표목-통일표제
- 33 1/3.
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■020 ▼a9781623563608 (electronic bk.)
■020 ▼a1623563607 (electronic bk.)
■020 ▼z9781623561833
■020 ▼z1623561833
■035 ▼a(OCoLC)876389144
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■090 ▼a전자도서
■1001 ▼aFerguson, Jordan▼d1977▼eauthor.
■24510▼aJ. Dilla's Donuts ▼cJordan Ferguson
■264 1▼aNew York▼bBloomsbury Publishing▼c2014.
■300 ▼a1 online resource.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼a33 1/3
■504 ▼aIncludes bibliographical references.
■5058 ▼aMachine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye.
■520 ▼a"From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"--▼cProvided by publisher.
■520 ▼a"A compelling, multidisciplinary analysis of hip-hop producer J Dilla's deathbed record Donuts as both a cultural artifact and an example of historical 'late style'"--▼cProvided by publisher.
■588 ▼aDescription based on print version record.
■60000▼aJ Dilla▼d1974-2006.▼tDonuts.
■60000▼aJ Dilla▼d1974-2006▼xCriticism and interpretation.
■650 0▼aRap (Music)▼xHistory and criticism
■650 7▼aMUSIC / History & Criticism.▼2bisacsh
■650 7▼aMUSIC / Genres & Styles / Rap & Hip Hop.▼2bisacsh
■650 7▼aMUSIC / Genres & Styles / General.▼2bisacsh
■650 7▼aMUSIC / Instruction & Study / Voice.▼2bisacsh
■650 7▼aMUSIC / Lyrics.▼2bisacsh
■650 7▼aMUSIC / Printed Music / Vocal.▼2bisacsh
■655 4▼aElectronic books.
■77608▼iPrint version▼aFerguson, Jordan, 1977- author.▼tJ. Dilla's Donuts▼z9781623561833▼w(DLC) 2013046268▼w(OCoLC)857981913
■830 0▼a33 1/3.
■85640▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=752491
■938 ▼aEBSCOhost▼bEBSC▼n752491
■938 ▼aYBP Library Services▼bYANK▼n11674752
■938 ▼aebrary▼bEBRY▼nebr10862001
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