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Music, Authorship, and the Book in the First Century of Print- [electronic resource]
Music, Authorship, and the Book in the First Century of Print - [electronic resource]
Music, Authorship, and the Book in the First Century of Print- [electronic resource]

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자료유형  
 전자책(국외)
미국국회도서관 청구기호  
ML112
자관 청구기호  
기본표목-개인명  
표제와 책임표시사항  
Music, Authorship, and the Book in the First Century of Print - [electronic resource]
발행, 배포, 간사 사항  
Berkeley : University of California Press , 2013
    형태사항  
    1 online resource (257 pages)
    내용주기  
    완전내용Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; What Is an Author?; Partbooks, Choirbooks, and Beyond; The Cultures of Print; From Mass to Chanson; 1. The World of Books; Anthologies and Anonyms; The Names of Authors; 2. Music Books and Their Authors; Editors and Craftsmen; Choirbooks, Masses, and Fame; The Real Stories behind Single- Composer Choirbooks; 3. Authors of Lyric; The Parisian Chanson and Composers as ""Autheurs""; The Lyric Economy at Mid- Century; 4. The Book of Poetry Becomes a Book of Music; Settings of Ronsard's Poetry, 1550-1570.
    내용주기  
    완전내용Les Amours de P. de Ronsard Misesen MusiqueA Culture of Music Books; Books, Bibliothèques, and Bibliographies; 5. Resisting the Press: Performance; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
    요약 등 주기  
    요약What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of.
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    기타형태저록  
    Print version Van Orden Kate Music Authorship and the Book in the First Century of Print
    전자적 위치 및 접속  
      링크정보보기

    MARC

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    ■090    ▼a전자도서
    ■1001  ▼aVan  Orden,  Kate.
    ■24510▼aMusic,  Authorship,  and  the  Book  in  the  First  Century  of  Print▼h[electronic  resource]
    ■260    ▼aBerkeley▼bUniversity  of  California  Press▼c2013
    ■300    ▼a1  online  resource  (257  pages)
    ■336    ▼atext▼btxt▼2rdacontent
    ■337    ▼acomputer▼bc▼2rdamedia
    ■338    ▼aonline  resource▼bcr▼2rdacarrier
    ■5050  ▼aCover;  Title;  Copyright;  Contents;  List  of  Illustrations;  Acknowledgments;  Introduction;  What  Is  an  Author?;  Partbooks,  Choirbooks,  and  Beyond;  The  Cultures  of  Print;  From  Mass  to  Chanson;  1.  The  World  of  Books;  Anthologies  and  Anonyms;  The  Names  of  Authors;  2.  Music  Books  and  Their  Authors;  Editors  and  Craftsmen;  Choirbooks,  Masses,  and  Fame;  The  Real  Stories  behind  Single-  Composer  Choirbooks;  3.  Authors  of  Lyric;  The  Parisian  Chanson  and  Composers  as  ""Autheurs"";  The  Lyric  Economy  at  Mid-  Century;  4.  The  Book  of  Poetry  Becomes  a  Book  of  Music;  Settings  of  Ronsard's  Poetry,  1550-1570.
    ■5058  ▼aLes  Amours  de  P.  de  Ronsard  Misesen  MusiqueA  Culture  of  Music  Books;  Books,  Bibliothèques,  and  Bibliographies;  5.  Resisting  the  Press:  Performance;  Notes;  Select  Bibliography;  Index;  A;  B;  C;  D;  E;  F;  G;  H;  I;  J;  K;  L;  M;  N;  O;  P;  Q;  R;  S;  T;  U;  V;  W;  Z.
    ■520    ▼aWhat  does  it  mean  to  author  a  piece  of  music?  What  transforms  the  performance  scripts  written  down  by  musicians  into  authored  books?  In  this  fascinating  cultural  history  of  Western  music's  adaptation  to  print,  Kate  van  Orden  looks  at  how  musical  authorship  first  developed  through  the  medium  of  printing.  When  music  printing  began  in  the  sixteenth  century,  publication  did  not  always  involve  the  composer:  printers  used  the  names  of  famous  composers  to  market  books  that  might  include  little  or  none  of  their  music.  Publishing  sacred  music  could  be  career-building  for  a  composer,  while  some  types  of.
    ■588    ▼aDescription  based  on  print  version  record.
    ■650  0▼aMusic  printing▼xHistory▼y16th  century
    ■650  0▼aMusic  publishing▼xHistory▼y16th  century
    ■650  0▼aMusic▼y16th  century▼xHistory  and  criticism
    ■650  7▼aLANGUAGE  ARTS  &  DISCIPLINES  /  Journalism.▼2bisacsh
    ■650  7▼aMUSIC  /  Genres  &  Styles  /  Classical.▼2bisacsh
    ■655  4▼aElectronic  books.
    ■77608▼iPrint  version▼aVan  Orden,  Kate.▼tMusic,  Authorship,  and  the  Book  in  the  First  Century  of  Print.▼dBerkeley  :  University  of  California  Press,  ©2013▼z9780520276505
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