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Literature and the Creative Economy- [electronic resource]
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Literature and the Creative Economy- [electronic resource]
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PR481
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Literature and the Creative Economy - [electronic resource]
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (249 pages)
- 내용주기
- 완전내용Acknowledgments; Introduction; 1. The Creative Class and Cultural Governance; 2. Work as Art / Art as Life; 3. The Psychology of Creativity; 4. Economy and Pathology in Aravind Adiga's The White Tiger and Monica Ali's In the Kitchen; 5. Economy and Authenticity in Daljit Nagra's Look We Have Coming to Dover! and Gautam Malkani's Londonstani; 6. The Strange Case of the Writer-Consultant; 7. Valuing the Arts in Ian McEwan's Saturday; Conclusion; Notes; Index.
- 요약 등 주기
- 요약For nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. What's more, it shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the tre.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version Brouillette Sarah Literature and the Creative Economy
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■00520160118152510
■006m o d
■007cr cnu---unuuu
■020 ▼a9780804792431▼q(electronic bk.)
■020 ▼a0804792437▼q(electronic bk.)
■035 ▼a(OCoLC)870589250
■040 ▼aEBLCP▼beng▼epn▼cEBLCP▼dN$T▼dOCLCQ
■050 4▼aPR481
■072 7▼aLIT▼x004120▼2bisacsh
■08204▼a820.9/0092
■090 ▼a전자도서
■1001 ▼aBrouillette, Sarah.
■24510▼aLiterature and the Creative Economy▼h[electronic resource]
■260 ▼aPalo Alto▼bStanford University Press▼c2014
■300 ▼a1 online resource (249 pages)
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■5050 ▼aAcknowledgments; Introduction; 1. The Creative Class and Cultural Governance; 2. Work as Art / Art as Life; 3. The Psychology of Creativity; 4. Economy and Pathology in Aravind Adiga's The White Tiger and Monica Ali's In the Kitchen; 5. Economy and Authenticity in Daljit Nagra's Look We Have Coming to Dover! and Gautam Malkani's Londonstani; 6. The Strange Case of the Writer-Consultant; 7. Valuing the Arts in Ian McEwan's Saturday; Conclusion; Notes; Index.
■520 ▼aFor nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. What's more, it shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the tre.
■5880 ▼aPrint version record.
■650 0▼aEnglish literature▼y21st century▼xHistory and criticism
■650 0▼aCreation (Literary, artistic, etc.)▼xEconomic aspects
■650 0▼aAuthorship▼xEconomic aspects
■650 0▼aCultural industries
■650 0▼aCultural policy
■650 7▼aLITERARY CRITICISM▼xEuropean▼xEnglish, Irish, Scottish, Welsh.▼2bisacsh
■655 4▼aElectronic books.
■77608▼iPrint version▼aBrouillette, Sarah.▼tLiterature and the Creative Economy.▼dPalo Alto : Stanford University Press, ©2014▼z9780804789486
■85640▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=713433
■938 ▼aEBL - Ebook Library▼bEBLB▼nEBL1632049
■938 ▼aEBSCOhost▼bEBSC▼n713433
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