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Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music
Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML3565-.M373 2015eb
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Tales, tunes, and tassa drums : retention and invention in Indo-Caribbean music / Peter Manuel
- 출판 정보
- Urbana:University of Illinois Press[2015]
- 형태사항
- 1 online resource.
- 서지 등 주기
- Includes bibliographical references and index.
- 요약 등 주기
- 요약"Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"--해제Provided by publisher.
- 요약 등 주기
- 요약"In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version Manuel Peter 1952- Tales tunes and tassa drums
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■24510▼aTales, tunes, and tassa drums ▼bretention and invention in Indo-Caribbean music ▼cPeter Manuel
■264 1▼aUrbana▼bUniversity of Illinois Press▼c[2015]
■300 ▼a1 online resource.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■520 ▼a"Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts"--▼cProvided by publisher.
■520 ▼a"In this study, Peter Manuel discusses Indo-Caribbean music that uses a set of neotraditional music genres to explore how the distinctive nature of the diaspora and its relation to the ancestral homeland have conditioned the trajectories of its music culture. Focusing particularly on tassa drumming, a popular Indo-Trinidadian genre, Manuel traces the roots of neotraditional Indo-Caribbean music genres to North India and explores the ways in which these genres can be seen variously to represent survivals, departures, or innovative elaborations of transplanted genres. He examines music that was carried to Trinidad by Indian immigrants in the early twentieth century, including some forms that died out in India while thriving and evolving in their new world home. Drawing on rich ethnographic work, Manuel reassesses ideas of creolization, retention, and cultural survival in ways that have potentially broad application to other ethnic contexts"--▼cProvided by publisher.
■5880 ▼aPrint version record.
■650 0▼aBhojpuri (Indic people)▼zCaribbean Area▼xMusic▼xHistory and criticism
■650 0▼aFolk music▼zCaribbean Area▼xHistory and criticism
■650 7▼aMUSIC / Ethnomusicology.▼2bisacsh
■650 7▼aHISTORY / Caribbean & West Indies / General.▼2bisacsh
■650 7▼aHISTORY / Asia / India & South Asia.▼2bisacsh
■650 7▼aMUSIC / Instruction & Study / Theory.▼2bisacsh
■655 4▼aElectronic books.
■77608▼iPrint version▼aManuel, Peter, 1952-▼tTales, tunes, and tassa drums▼z9780252038815▼w(DLC) 2014016323▼w(OCoLC)879329670
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■938 ▼aProject MUSE▼bMUSE▼nmuse35756
■938 ▼aYBP Library Services▼bYANK▼n12012063
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