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Literature and Film in Cold War South Korea : Freedom's Frontier
Literature and Film in Cold War South Korea : Freedom's Frontier
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PL957.5.P64 H64 2012
- 자관 청구기호
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Literature and Film in Cold War South Korea : Freedoms Frontier / Theodore Hughes
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xiv, 272 pages)
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용LIST OF ILLUSTRATIONS vii; ACKNOWLEDGMENTS ix; INTRODUCTION 1; 1. VISUALITY AND THE COLONIAL MODERN: The Technics of Proletarian Culture, Nativism, Modernism, and Mobilization 19; 2. VISIBLE AND INVISIBLE STATES: Liberation, Occupation, Division 61; 3. AMBIVALENT ANTICOMMUNISM: The Politics of Despair and the Erotics of Language 91; 4. DEVELOPMENT AS DEVOLUTION: Overcoming Communism and the "Land of Excrement" Incident 129; 5. RETURN TO THE COLONIAL PRESENT: Translation, Collaboration, Pan-Asianism 165; POSTSCRIPT 205; NOTES 211; SELECTED BIBLIOGRAPHY 245; INDEX 259.
- 요약 등 주기
- 요약Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Hughes Theodore Literature and Film in Cold War South Korea : Freedom's Frontier
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■1001 ▼aHughes, Theodore▼eauthor.
■24510▼aLiterature and Film in Cold War South Korea ▼bFreedom's Frontier ▼cTheodore Hughes
■260 ▼aNew York▼bColumbia University Press▼c2012
■300 ▼a1 online resource (xiv, 272 pages)
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■504 ▼aIncludes bibliographical references and index.
■5050 ▼aLIST OF ILLUSTRATIONS vii; ACKNOWLEDGMENTS ix; INTRODUCTION 1; 1. VISUALITY AND THE COLONIAL MODERN: The Technics of Proletarian Culture, Nativism, Modernism, and Mobilization 19; 2. VISIBLE AND INVISIBLE STATES: Liberation, Occupation, Division 61; 3. AMBIVALENT ANTICOMMUNISM: The Politics of Despair and the Erotics of Language 91; 4. DEVELOPMENT AS DEVOLUTION: Overcoming Communism and the "Land of Excrement" Incident 129; 5. RETURN TO THE COLONIAL PRESENT: Translation, Collaboration, Pan-Asianism 165; POSTSCRIPT 205; NOTES 211; SELECTED BIBLIOGRAPHY 245; INDEX 259.
■520 ▼aKorean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea.
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■650 0▼aPolitics in motion pictures
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■650 7▼aPolitics in literature.▼2fast▼0(OCoLC)fst01896084
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■651 7▼aKorea (South)▼2fast▼0(OCoLC)fst01206791
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