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The dream of the great American novel
The dream of the great American novel  / Lawrence Buell
The dream of the great American novel

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The dream of the great American novel / Lawrence Buell
출판 정보  
Cambridge, Massachusetts:The Belknap Press of Harvard University Press2014.
출판 정보  
?014
형태사항  
1 online resource (xii, 567 pages)
서지 등 주기  
Includes bibliographical references (pages 467-537) and index.
내용주기  
완전내용Birth, heyday, and seeming decline -- Reborn from the critical ashes -- The reluctant master text: the making and remakings of Hawthorne's The scarlet letter -- American dreamers in context -- "Success" stories from Franklin to the dawn of modernism -- Belated ascendancy: Fitzgerald to Faulkner, Dreiser to Wright and Bellow -- Up-from narrative in hyphenated America: Ellison, Roth, and beyond -- Shifting ratios, dangerous proximities -- Uncle Tom's cabin and its aftermaths -- The Adventures of Huckleberry Finn and its others -- Faulkner's Absalom, Absalom!, Mitchell's Gone with the wind, and literary interracialism North and South -- Morrison's Beloved as culmination and augury -- Fatalisms of the multitude -- Melville's Moby-Dick: from oblivion to great American novel -- The great American novel of twentieth-century breakdown: Dos Passos's U.S.A.--or Steinbeck's Grapes of wrath? -- Late twentieth-century maximalism: Pynchon's Gravity's rainbow--and its rainbow.
요약 등 주기  
요약"The idea of 'the great American novel' continues to thrive almost as vigorously as in its nineteenth-century heyday, defying 150 years of attempts to dismiss it as amateurish or obsolete. Lawrence Buell demonstrates that its history is a key to the dynamics of national literature and national identity itself. The dream of the G.A.N., as Henry James nicknamed it, crystallized soon after the Civil War. In in-depth readings of selected contenders from the 1850s onward, Buell delineates four 'scripts' for G.A.N. candidates. One, illustrated by The Scarlet Letter, is the adaptation of the novel's story-line by later writers, often in ways that are contrary to the original author's own design. Other aspirants, including The Great Gatsby and Invisible Man, engage the American Dream of remarkable transformation from humble origins. A third script, seen in Uncle Tom's Cabin and Beloved, is the family saga that grapples with racial and other social divisions. Finally, mega-novels from Moby-Dick to Gravity's Rainbow feature assemblages of characters who dramatize in microcosm the promise and pitfalls of democracy. The canvas of the great American novel is in constant motion, reflecting revolutions in fictional fashion, the changing face of authorship, and the inseparability of high culture from popular. As Buell reveals, the elusive G.A.N. showcases the myth of the United States as a nation perpetually under construction."--Jacket.
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기타형태저록  
Print version Buell Lawrence Dream of the great American novel
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■1001  ▼aBuell,  Lawrence▼eauthor.
■24514▼aThe  dream  of  the  great  American  novel  ▼cLawrence  Buell
■264  1▼aCambridge,  Massachusetts▼bThe  Belknap  Press  of  Harvard  University  Press▼c2014.
■264  4▼c?014
■300    ▼a1  online  resource  (xii,  567  pages)
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■338    ▼aonline  resource▼bcr▼2rdacarrier
■504    ▼aIncludes  bibliographical  references  (pages  467-537)  and  index.
■5050  ▼aBirth,  heyday,  and  seeming  decline  --  Reborn  from  the  critical  ashes  --  The  reluctant  master  text:  the  making  and  remakings  of  Hawthorne's  The  scarlet  letter  --  American  dreamers  in  context  --  "Success"  stories  from  Franklin  to  the  dawn  of  modernism  --  Belated  ascendancy:  Fitzgerald  to  Faulkner,  Dreiser  to  Wright  and  Bellow  --  Up-from  narrative  in  hyphenated  America:  Ellison,  Roth,  and  beyond  --  Shifting  ratios,  dangerous  proximities  --  Uncle  Tom's  cabin  and  its  aftermaths  --  The  Adventures  of  Huckleberry  Finn  and  its  others  --  Faulkner's  Absalom,  Absalom!,  Mitchell's  Gone  with  the  wind,  and  literary  interracialism  North  and  South  --  Morrison's  Beloved  as  culmination  and  augury  --  Fatalisms  of  the  multitude  --  Melville's  Moby-Dick:  from  oblivion  to  great  American  novel  --  The  great  American  novel  of  twentieth-century  breakdown:  Dos  Passos's  U.S.A.--or  Steinbeck's  Grapes  of  wrath?  --  Late  twentieth-century  maximalism:  Pynchon's  Gravity's  rainbow--and  its  rainbow.
■520    ▼a"The  idea  of  'the  great  American  novel'  continues  to  thrive  almost  as  vigorously  as  in  its  nineteenth-century  heyday,  defying  150  years  of  attempts  to  dismiss  it  as  amateurish  or  obsolete.  Lawrence  Buell  demonstrates  that  its  history  is  a  key  to  the  dynamics  of  national  literature  and  national  identity  itself.  The  dream  of  the  G.A.N.,  as  Henry  James  nicknamed  it,  crystallized  soon  after  the  Civil  War.  In  in-depth  readings  of  selected  contenders  from  the  1850s  onward,  Buell  delineates  four  'scripts'  for  G.A.N.  candidates.  One,  illustrated  by  The  Scarlet  Letter,  is  the  adaptation  of  the  novel's  story-line  by  later  writers,  often  in  ways  that  are  contrary  to  the  original  author's  own  design.  Other  aspirants,  including  The  Great  Gatsby  and  Invisible  Man,  engage  the  American  Dream  of  remarkable  transformation  from  humble  origins.  A  third  script,  seen  in  Uncle  Tom's  Cabin  and  Beloved,  is  the  family  saga  that  grapples  with  racial  and  other  social  divisions.  Finally,  mega-novels  from  Moby-Dick  to  Gravity's  Rainbow  feature  assemblages  of  characters  who  dramatize  in  microcosm  the  promise  and  pitfalls  of  democracy.  The  canvas  of  the  great  American  novel  is  in  constant  motion,  reflecting  revolutions  in  fictional  fashion,  the  changing  face  of  authorship,  and  the  inseparability  of  high  culture  from  popular.  As  Buell  reveals,  the  elusive  G.A.N.  showcases  the  myth  of  the  United  States  as  a  nation  perpetually  under  construction."--Jacket.
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