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A Comparative Study of Select Choral Conductors' Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tonu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw- [electronic resource]
A Comparative Study of Select Choral Conductors' Approaches to Unification of Choral Sound...
A Comparative Study of Select Choral Conductors' Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tonu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw- [electronic resource]

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자료유형  
 학위논문(국외)
자관 청구기호  
기본표목-개인명  
표제와 책임표시사항  
A Comparative Study of Select Choral Conductors Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tonu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw - [electronic resource] / Smith, Christopher Matthew.
발행, 배포, 간사 사항  
[Sl] : University of Kansas , 2016
    형태사항  
    1 online resource(116 p)
    일반주기  
    Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.
    일반주기  
    Advisers: Paul Laird; Paul Tucker.
    학위논문주기  
    Thesis (D.M.A.)--University of Kansas, 2016.
    요약 등 주기  
    요약The methods of six highly-successful conductors from around the world---Frieder Bernius (Germany), Tonu Kaljuste (Estonia), Stephen Cleobury, John Eliot Gardiner (U.K.), Weston Noble, and Robert Shaw (U.S.)---are comparatively examined concerning 1) choral sound unification, 2) rehearsal strategies and techniques, 3) conducting gesture, and 4) practical leadership. Primary sources including personal interviews, published interviews, lectures and writings, rehearsal and concert videos, and online video interviews were the basis for observing the conductors' approaches to the four research areas. Their practical strategies, drawing on biographical details and interactions with the musicians of their ensembles, are explored to examine their overall approach to choral leadership. Chapters include biographical details for each conductor, sound unification techniques, rehearsal strategies, thoughts on conducting, practical leadership, and synthesis and conclusions. The conductors' methods of choral sound unification vary greatly but are centered around a natural and free vocal technique that is focused on interpretation and articulation rather than vowel shape. In rehearsal strategies, there is even greater variance, but there is agreement on constant singer engagement, establishment of consistent priorities, and saving the voice for performance. Regarding conducting gesture, there is consensus that choral and orchestral conducting should not look dissimilar, since the musical ideas between ensembles are equivalent, and that gesture should clearly and concisely demonstrate the music. With respect to leadership, conductors should demonstrate extreme competence and confidence (from a high level of musical expertise), a priority-driven work ethic, creative enterprise, the humble heart of a servant, the sharing of success, the acceptance of responsibility, positive energy, and an understanding of prevailing leadership principles exhibited in other disciplines.
    주제명부출표목-일반주제명  
    부출표목-단체명  
    기본자료저록  
    Dissertation Abstracts International. 78-01A(E).
    기본자료저록  
    Dissertation Abstract International
    전자적 위치 및 접속  
     원문정보보기
    소장사항  
    20170404 2017

    MARC

     008170601s2016        us          esm        001c    eng
    ■001MOKWON01252598
    ■00520170418114937
    ■007cr  
    ■020    ▼a9781339947273
    ■035    ▼a(MiAaPQ)AAI10139230
    ■040    ▼aMiAaPQ▼cMiAaPQ
    ■090    ▼a전자도서(박사논문)        
    ■1001  ▼aSmith,  Christopher  Matthew.
    ■24512▼aA  Comparative  Study  of  Select  Choral  Conductors'  Approaches  to  Unification  of  Choral  Sound,  Rehearsal,  Conducting,  and  Leadership:  Frieder  Bernius,  Tonu  Kaljuste,  Stephen  Cleobury,  John  Eliot  Gardiner,  Weston  Noble,  and  Robert  Shaw▼h[electronic  resource]▼cSmith,  Christopher  Matthew.
    ■260    ▼a[Sl]▼bUniversity  of  Kansas▼c2016
    ■300    ▼a1  online  resource(116  p)
    ■500    ▼aSource:  Dissertation  Abstracts  International,  Volume:  78-01(E),  Section:  A.
    ■500    ▼aAdvisers:  Paul  Laird;  Paul  Tucker.
    ■5021  ▼aThesis  (D.M.A.)--University  of  Kansas,  2016.
    ■520    ▼aThe  methods  of  six  highly-successful  conductors  from  around  the  world---Frieder  Bernius  (Germany),  Tonu  Kaljuste  (Estonia),  Stephen  Cleobury,  John  Eliot  Gardiner  (U.K.),  Weston  Noble,  and  Robert  Shaw  (U.S.)---are  comparatively  examined  concerning  1)  choral  sound  unification,  2)  rehearsal  strategies  and  techniques,  3)  conducting  gesture,  and  4)  practical  leadership.  Primary  sources  including  personal  interviews,  published  interviews,  lectures  and  writings,  rehearsal  and  concert  videos,  and  online  video  interviews  were  the  basis  for  observing  the  conductors'  approaches  to  the  four  research  areas.  Their  practical  strategies,  drawing  on  biographical  details  and  interactions  with  the  musicians  of  their  ensembles,  are  explored  to  examine  their  overall  approach  to  choral  leadership.  Chapters  include  biographical  details  for  each  conductor,  sound  unification  techniques,  rehearsal  strategies,  thoughts  on  conducting,  practical  leadership,  and  synthesis  and  conclusions.  The  conductors'  methods  of  choral  sound  unification  vary  greatly  but  are  centered  around  a  natural  and  free  vocal  technique  that  is  focused  on  interpretation  and  articulation  rather  than  vowel  shape.  In  rehearsal  strategies,  there  is  even  greater  variance,  but  there  is  agreement  on  constant  singer  engagement,  establishment  of  consistent  priorities,  and  saving  the  voice  for  performance.  Regarding  conducting  gesture,  there  is  consensus  that  choral  and  orchestral  conducting  should  not  look  dissimilar,  since  the  musical  ideas  between  ensembles  are  equivalent,  and  that  gesture  should  clearly  and  concisely  demonstrate  the  music.  With  respect  to  leadership,  conductors  should  demonstrate  extreme  competence  and  confidence  (from  a  high  level  of  musical  expertise),  a  priority-driven  work  ethic,  creative  enterprise,  the  humble  heart  of  a  servant,  the  sharing  of  success,  the  acceptance  of  responsibility,  positive  energy,  and  an  understanding  of  prevailing  leadership  principles  exhibited  in  other  disciplines.
    ■590    ▼aSchool  code:  0099.
    ■650  4▼aMusic
    ■690    ▼a0413
    ■71020▼aUniversity  of  Kansas▼bMusic.
    ■7730  ▼tDissertation  Abstracts  International▼g78-01A(E).
    ■773    ▼tDissertation  Abstract  International
    ■790    ▼a0099
    ■791    ▼aD.M.A.
    ■792    ▼a2016
    ■793    ▼aEnglish
    ■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T14488457▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.
    ■980    ▼a20170404▼f2017

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