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A listener-sensitive analytic approach to Elliott Carter's late chamber music, 1990--2012- [electronic resource]
A listener-sensitive analytic approach to Elliott Carter's late chamber music, 1990--2012 ...
A listener-sensitive analytic approach to Elliott Carter's late chamber music, 1990--2012- [electronic resource]

상세정보

자료유형  
 학위논문(국외)
자관 청구기호  
기본표목-개인명  
표제와 책임표시사항  
A listener-sensitive analytic approach to Elliott Carters late chamber music, 1990--2012 - [electronic resource] / Smucker, Peter Christian Wyse.
발행, 배포, 간사 사항  
형태사항  
1 online resource(295 p)
일반주기  
Source: Dissertation Abstracts International, Volume: 77-05(E), Section: A.
일반주기  
Adviser: Steven Rings.
학위논문주기  
Thesis (Ph.D.)--The University of Chicago, 2015.
요약 등 주기  
요약This dissertation develops a listener-sensitive analytic approach to Elliott Carter's recent music. Carter's increased output of chamber music since 1990 coincides with a reduced harmonic vocabulary. Rather than beginning with theoretical considerations of musical parameters, I take a cue from the composer himself and develop an analytical method based on perspicuous aural events. In this dissertation, I identify common aural phenomena in Carter's late chamber works and create an approach to mediate between an experiential perspective of his music and score-extracted analyses. Chapter 1, "Listening to Carter," presents a hypothetical listener's experience of Carter's music. Chapter 2, "Aural Cues and Textures," looks specifically at salient events in Carter's music. Chapter 3, "Form and Melody: Aural Boundaries, Ambiguities, Shifts, and Constancy," examines formal relationships that emerge from the phenomena defined in Chapter 2. A synthesis of the concepts in Chapters 2 and 3 with current analytical tools is the goal of Chapter 4. A final Chapter 5 is an analytic essay on one specific piece, Carter's Clarinet Quintet (2007), which demonstrates application of the method established in Chapters 2--4.
주제명부출표목-일반주제명  
부출표목-단체명  
기본자료저록  
Dissertation Abstracts International. 77-05A(E).
기본자료저록  
Dissertation Abstract International
전자적 위치 및 접속  
 원문정보보기
소장사항  
20170404 2017

MARC

 008170601s2015        us          esm        001c    eng
■001MOKWON01255931
■00520170418121811
■007cr
■020    ▼a9781339321073
■035    ▼a(MiAaPQ)AAI3740115
■040    ▼aMiAaPQ▼cMiAaPQ
■090    ▼a전자도서(박사논문)
■1001  ▼aSmucker,  Peter  Christian  Wyse.
■24512▼aA  listener-sensitive  analytic  approach  to  Elliott  Carter's  late  chamber  music,  1990--2012▼h[electronic  resource]▼cSmucker,  Peter  Christian  Wyse.
■260    ▼a[Sl]▼bThe  University  of  Chicago▼c2015
■300    ▼a1  online  resource(295  p)
■500    ▼aSource:  Dissertation  Abstracts  International,  Volume:  77-05(E),  Section:  A.
■500    ▼aAdviser:  Steven  Rings.
■5021  ▼aThesis  (Ph.D.)--The  University  of  Chicago,  2015.
■520    ▼aThis  dissertation  develops  a  listener-sensitive  analytic  approach  to  Elliott  Carter's  recent  music.  Carter's  increased  output  of  chamber  music  since  1990  coincides  with  a  reduced  harmonic  vocabulary.  Rather  than  beginning  with  theoretical  considerations  of  musical  parameters,  I  take  a  cue  from  the  composer  himself  and  develop  an  analytical  method  based  on  perspicuous  aural  events.  In  this  dissertation,  I  identify  common  aural  phenomena  in  Carter's  late  chamber  works  and  create  an  approach  to  mediate  between  an  experiential  perspective  of  his  music  and  score-extracted  analyses.  Chapter  1,  "Listening  to  Carter,"  presents  a  hypothetical  listener's  experience  of  Carter's  music.  Chapter  2,  "Aural  Cues  and  Textures,"  looks  specifically  at  salient  events  in  Carter's  music.  Chapter  3,  "Form  and  Melody:  Aural  Boundaries,  Ambiguities,  Shifts,  and  Constancy,"  examines  formal  relationships  that  emerge  from  the  phenomena  defined  in  Chapter  2.  A  synthesis  of  the  concepts  in  Chapters  2  and  3  with  current  analytical  tools  is  the  goal  of  Chapter  4.  A  final  Chapter  5  is  an  analytic  essay  on  one  specific  piece,  Carter's  Clarinet  Quintet  (2007),  which  demonstrates  application  of  the  method  established  in  Chapters  2--4.
■590    ▼aSchool  code:  0330.
■650  4▼aMusic
■690    ▼a0413
■71020▼aThe  University  of  Chicago▼bMusic.
■7730  ▼tDissertation  Abstracts  International▼g77-05A(E).
■773    ▼tDissertation  Abstract  International
■790    ▼a0330
■791    ▼aPh.D.
■792    ▼a2015
■793    ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T14491739▼nKERIS▼z이  자료의  원문은  한국교육학술정보원에서  제공합니다.
■980    ▼a20170404▼f2017

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