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Agnès Varda between film, photography, and art
![Agnès Varda between film, photography, and art / Rebecca J. DeRoo. [electronic resource]](/Sponge/Images/bookDefaults/EBbookdefaultsmall.png)
Agnès Varda between film, photography, and art
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1998.3.V368
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Agnès Varda between film, photography, and art / Rebecca J. DeRoo. [electronic resource]
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'Île Et Elle -- Varda now: autobiography, memory, and retrospective.
- 요약 등 주기
- 요약"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version DeRoo Rebecca J Agnès Varda between film photography and art
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■049 ▼aMAIN
■05010▼aPN1998.3.V368
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■090 ▼a전자도서
■1001 ▼aDeRoo, Rebecca J.▼eauthor.
■24510▼aAgnès Varda between film, photography, and art /▼cRebecca J. DeRoo.▼h[electronic resource]
■260 1▼aOakland, California▼bUniversity of California Press▼c[2018]
■263 ▼a1710
■300 ▼a1 online resource
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aReinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'Île Et Elle -- Varda now: autobiography, memory, and retrospective.
■520 ▼a"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.
■5880 ▼aPrint version record and CIP data provided by publisher; resource not viewed.
■590 ▼aMaster record variable field(s) change: 600
■60010▼aVarda, Agnès▼d1928-2019▼xCriticism and interpretation.
■60017▼aVarda, Agnès▼d1928-▼2fast▼0(OCoLC)fst00275550
■650 0▼aNew wave films▼zFrance▼xHistory and criticism.
■650 0▼aWomen motion picture producers and directors▼zFrance▼xCriticism and interpretation.
■650 7▼aPERFORMING ARTS▼xReference.▼2bisacsh
■650 7▼aPERFORMING ARTS▼xFilm & Video▼xGeneral.▼2bisacsh
■650 7▼aNew wave films.▼2fast▼0(OCoLC)fst01036943
■650 7▼aWomen motion picture producers and directors.▼2fast▼0(OCoLC)fst01178163
■651 7▼aFrance.▼2fast▼0(OCoLC)fst01204289
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■77608▼iPrint version▼aDeRoo, Rebecca J.▼tAgnès Varda between film, photography, and art.▼dOakland, California : University of California Press, [2018]▼z9780520279407▼w(DLC) 2017007722
■85640▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1589035
■938 ▼aEBSCOhost▼bEBSC▼n1589035
■938 ▼aProject MUSE▼bMUSE▼nmuse60629
■938 ▼aYBP Library Services▼bYANK▼n14440385
■994 ▼a92▼bN$T
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