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Roger Sandall's films and contemporary anthropology : explorations in the aesthetic, the existential
Roger Sandall's films and contemporary anthropology : explorations in the aesthetic, the existential
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1998.3.S2517
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Roger Sandalls films and contemporary anthropology : explorations in the aesthetic, the existential, and the possible / Lorraine Mortimer. [electronic resource]
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Trusting the material : Maíz (1962) -- Environments fit for the spirit : The Flahertys, Sandall, and some anarchist anthropology -- They were still participants : The ritual films (1966-76) -- The colors of the infinite : Camels and the Pitjantjara (1969) -- "What you thinkin' about, little horse" : Coniston Muster : scenes from a stockman's life (1972) -- Harmony and fire : Making a bark canoe (1969) and A Walbiri fire ceremony : Ngatjakula (1967 and 1977) -- More optional and more fragile : Weddings (1976) -- In the floating desert with Jayasinhji Jhala, part 1 : The Tragada Bhavai : a rural theater troupe of Gujarat (1981), A Zenana : scenes and recollections (1982), and The Bharvad predicament (1987) -- In the floating desert with Jayasinhji Jhala, part 2 : Close encounters of no kind (2002) and Nomads (1984).
- 요약 등 주기
- 요약"In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand-born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall's films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall's aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment"--해제Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version Mortimer Lorraine Roger Sandall's films and contemporary anthropology
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■090 ▼a전자도서
■1001 ▼aMortimer, Lorraine▼eauthor.
■24510▼aRoger Sandall's films and contemporary anthropology :▼bexplorations in the aesthetic, the existential, and the possible /▼cLorraine Mortimer.▼h[electronic resource]
■260 1▼aBloomington, Indiana▼bIndiana University Press▼c[2019]
■263 ▼a1910
■300 ▼a1 online resource
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bn▼2rdamedia
■338 ▼aonline resource▼bnc▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aTrusting the material : Maíz (1962) -- Environments fit for the spirit : The Flahertys, Sandall, and some anarchist anthropology -- They were still participants : The ritual films (1966-76) -- The colors of the infinite : Camels and the Pitjantjara (1969) -- "What you thinkin' about, little horse" : Coniston Muster : scenes from a stockman's life (1972) -- Harmony and fire : Making a bark canoe (1969) and A Walbiri fire ceremony : Ngatjakula (1967 and 1977) -- More optional and more fragile : Weddings (1976) -- In the floating desert with Jayasinhji Jhala, part 1 : The Tragada Bhavai : a rural theater troupe of Gujarat (1981), A Zenana : scenes and recollections (1982), and The Bharvad predicament (1987) -- In the floating desert with Jayasinhji Jhala, part 2 : Close encounters of no kind (2002) and Nomads (1984).
■520 ▼a"In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand-born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall's films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall's aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment"--▼cProvided by publisher.
■588 ▼aDescription based on print version record and CIP data provided by publisher; resource not viewed.
■590 ▼aAdded to collection customer.56279.3
■60010▼aSandall, Roger▼xCriticism and interpretation.
■650 0▼aEthnographic films▼xHistory and criticism.
■650 7▼aPERFORMING ARTS / Film & Video / History & Criticism▼2bisacsh
■650 7▼aEthnographic films.▼2fast▼0(OCoLC)fst00916086
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■77608▼iPrint version▼aMortimer, Lorraine.▼tRoger Sandall's films and contemporary anthropology▼dBloomington, Indiana : Indiana University Press, [2019]▼z9780253043979▼w(DLC) 2019016937
■85640▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2246699
■938 ▼aYBP Library Services▼bYANK▼n300811781
■938 ▼aEBL - Ebook Library▼bEBLB▼nEBL5894027
■938 ▼aEBSCOhost▼bEBSC▼n2246699
■994 ▼a92▼bN$T
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