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Movies, songs, and electric sound : transatlantic trends
Movies, songs, and electric sound : transatlantic trends
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1995.9.M86
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Movies, songs, and electric sound : transatlantic trends / Charles OBrien. [electronic resource]
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Movies and songs in transition -- Electric sound as new medium -- Voices and bodies, direct and dubbed -- Film editing after sound -- American films songs, inside the films and out -- Musical films made in Germany -- Conclusion : songs in cinema, from electric to digital.
- 요약 등 주기
- 요약"How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present"--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version O'Brien Charles 1955- author Movies songs and electric sound
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■1001 ▼aO'Brien, Charles▼d1955-▼eauthor.
■24510▼aMovies, songs, and electric sound :▼btransatlantic trends /▼cCharles O'Brien.▼h[electronic resource]
■260 1▼aBloomington, Indiana▼bIndiana University Press▼c[2019]
■263 ▼a1904
■300 ▼a1 online resource
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bn▼2rdamedia
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■504 ▼aIncludes bibliographical references and index.
■5050 ▼aMovies and songs in transition -- Electric sound as new medium -- Voices and bodies, direct and dubbed -- Film editing after sound -- American films songs, inside the films and out -- Musical films made in Germany -- Conclusion : songs in cinema, from electric to digital.
■520 ▼a"How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present"--▼cProvided by publisher.
■588 ▼aDescription based on print version record and CIP data provided by publisher; resource not viewed.
■590 ▼aMaster record variable field(s) change: 050, 082, 650
■650 0▼aMusical films▼xHistory and criticism.
■650 0▼aMotion pictures and music.
■650 0▼aMotion picture music▼xHistory and criticism.
■650 7▼aMUSIC / Instruction & Study / Theory.▼2bisacsh
■650 7▼aMUSIC / Recording & Reproduction▼2bisacsh
■650 7▼aMotion picture music.▼2fast▼0(OCoLC)fst01027201
■650 7▼aMotion pictures and music.▼2fast▼0(OCoLC)fst01027416
■655 4▼aElectronic books.
■655 0▼aElectronic books.
■77608▼iPrint version▼aO'Brien, Charles, 1955- author.▼tMovies, songs, and electric sound▼dBloomington, Indiana : Indiana University Press, [2019]▼z9780253040398▼w(DLC) 2019012426
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