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Tracing Patterns of Textiles in Ancient Java (8th-15th century).- [electronic resource]
![Tracing Patterns of Textiles in Ancient Java (8th-15th century). - [electronic resource] /...](/Sponge/Images/bookDefaults/DDbookdefaultsmall.png)
Tracing Patterns of Textiles in Ancient Java (8th-15th century).- [electronic resource]
상세정보
- 자료유형
- 학위논문(국외)
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Tracing Patterns of Textiles in Ancient Java (8th-15th century). - [electronic resource] / Sardjono, Sandra Suryani.
- 발행, 배포, 간사 사항
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource(288 p.)
- 일반주기
- Source: Dissertations Abstracts International, Volume: 81-06, Section: A.
- 일반주기
- Advisor: Williams, Joanna
- 학위논문주기
- Thesis (Ph.D.)--University of California, Berkeley, 2017.
- 이용제한주기
- This item must not be sold to any third party vendors.
- 이용제한주기
- This item must not be added to any third party search indexes.
- 요약 등 주기
- 요약Few attempts have been made to study the numerous textile depictions in Java from the eighth to fifteenth centuries, also known as the Hindu-Buddhist or the Ancient Javanese Period. This thesis seeks for the textiles that inspired these depictions and considers their techniques. It also traces the evolution of particular patterns in Java over time. To do so, I employ close art-historical analysis of works of art and draw supportive materials from archaeology, epigraphy and literature, as well as ethnography. After the introductory chapter, Chapters One and Two focus each on a different textile pattern: the connected circles and the overlapping circles patterns. These chapters follow the evolution of the patterns with particular interest to search for connections to current textile tradition in Indonesia. A similar approach of inquiry is applied in Chapter Three to a type of short sleeve jacket. Chapter Four investigates the depiction of weavers in Ancient Javanese textual and visual sources. This study of textile depictions will underscore the global connection between Java and the outside world, particularly China and India, from where many prototypes of the textile images originated. The study will also reveal that these images, in addition to being historical records, were also ornamentations, which the Javanese artists were adept at translating, decontextualizing, and re-contextualizing-as a whole or in part-into the local aesthetic and usage.
- 주제명부출표목-일반주제명
- 부출표목-단체명
- 기본자료저록
- Dissertations Abstracts International. 81-06A.
- 기본자료저록
- Dissertation Abstract International
- 전자적 위치 및 접속
- 원문정보보기
MARC
008200317s2017 ulk s 00 eng■001000015490227
■00520200217180731
■007cr
■020 ▼a9781392414149
■040 ▼d225006
■08204▼a709
■090 ▼a전자도서(박사논문)
■1001 ▼aSardjono, Sandra Suryani.
■24510▼aTracing Patterns of Textiles in Ancient Java (8th-15th century).▼h[electronic resource]▼cSardjono, Sandra Suryani.
■260 ▼a[S.l.]▼bUniversity of California, Berkeley. ▼c2017
■260 1▼aAnn Arbor▼bProQuest Dissertations & Theses▼c2017
■300 ▼a1 online resource(288 p.)
■500 ▼aSource: Dissertations Abstracts International, Volume: 81-06, Section: A.
■500 ▼aAdvisor: Williams, Joanna
■5021 ▼aThesis (Ph.D.)--University of California, Berkeley, 2017.
■506 ▼aThis item must not be sold to any third party vendors.
■506 ▼aThis item must not be added to any third party search indexes.
■520 ▼aFew attempts have been made to study the numerous textile depictions in Java from the eighth to fifteenth centuries, also known as the Hindu-Buddhist or the Ancient Javanese Period. This thesis seeks for the textiles that inspired these depictions and considers their techniques. It also traces the evolution of particular patterns in Java over time. To do so, I employ close art-historical analysis of works of art and draw supportive materials from archaeology, epigraphy and literature, as well as ethnography. After the introductory chapter, Chapters One and Two focus each on a different textile pattern: the connected circles and the overlapping circles patterns. These chapters follow the evolution of the patterns with particular interest to search for connections to current textile tradition in Indonesia. A similar approach of inquiry is applied in Chapter Three to a type of short sleeve jacket. Chapter Four investigates the depiction of weavers in Ancient Javanese textual and visual sources. This study of textile depictions will underscore the global connection between Java and the outside world, particularly China and India, from where many prototypes of the textile images originated. The study will also reveal that these images, in addition to being historical records, were also ornamentations, which the Javanese artists were adept at translating, decontextualizing, and re-contextualizing-as a whole or in part-into the local aesthetic and usage.
■650 4▼aArt history.
■71020▼aUniversity of California, Berkeley▼bHistory of Art.
■7730 ▼tDissertations Abstracts International▼g81-06A.
■773 ▼tDissertation Abstract International
■791 ▼aPh.D.
■792 ▼a2017
■793 ▼aEnglish
■85640▼uhttp://www.riss.kr/pdu/ddodLink.do?id=T15490227▼nKERIS
