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Representing Russia's orient : from ethnography to art song [electronic resources]
![Representing Russia's orient : from ethnography to art song [electronic resources]/ Adaly...](/Sponge/Images/bookDefaults/EBbookdefaultsmall.png)
Representing Russia's orient : from ethnography to art song [electronic resources]
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML300.4-.I77 2021
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Representing Russias orient : from ethnography to art song [electronic resources]/ Adalyat Issiyeva.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xxi, 406 pages) : illustrations, maps.
- 총서사항
- AMS studies in music
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Unveiling Tradition : Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections -- Building Images of the "Other:" Russian Musical Ethnographies on Inorodtsy -- Aryanism and Asianism in the Quest for the Russian Identity -- Alexander Aliab'ev, Decembrism, and Russian Orient -- Balakirev, his Orient, and the Five -- Ethnographic Concerts at the Service of Empire.
- 요약 등 주기
- 요약"This book examines the musical ramifications of Russian nineteenth-century expansion to the east and south and explores the formation and development of Russian musical discourse on Russia's own Orient. It traces the transition from music ethnography to art songs and discusses how various aspects of (music) ethnographies, folksong collections, music theories, and visual representations of Russia's ethnic minorities, or inorodtsy, shaped Russian composers' perception and musical representation of Russia's oriental "others." Situated on the periphery, minority peoples not only defined the geographical boundaries of the empire, its culture, and its music, but also defined the boundaries of Russianness itself. Extensively illustrated with music examples, archival material, and images from long-forgotten Russian sources, this book investigates historical, cultural, and musical elements which contributed to the formation and creation of Russia's imperial identity. It delineates musical elements that have been adopted to characterize Russians' own national hybridity. Three case studies-well-known leader of the Mighty Five Milii Balakirev, lesser known Alexander Aliab'ev, and the late-nineteenth-century composers affiliated with the Music-Ethnography Committee-demonstrate how and why, despite the overwhelming number of pejorative images and descriptions of inorodtsy, these composers decided to "forget" their social and political differences and sometimes "confused" and combined diverse minorities' identities with that of the "self." The analysis of the arrangements of folksongs of Russia's eastern and southern minorities reveals the trajectory of musical treatment from denigration and "othering" to embracing peoples from all provinces of the empire"--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Issiyeva Adalyat Representing Russia's orient
- 총서부출표목-통일표제
- AMS studies in music.
- 전자적 위치 및 접속
- 링크정보보기
MARC
008220118s[202 us s 00 eng c■001on1154075123
■003OCoLC
■00520201118042012.1
■006m d | |
■007cr |||||||||||
■010 ▼a 2020016407
■020 ▼a9780190051396
■020 ▼a0190051396
■020 ▼a9780190051372
■020 ▼a019005137X
■020 ▼a9780190051389
■020 ▼a0190051388
■020 ▼z9780190051365
■035 ▼a2661968
■035 ▼a(OCoLC)1154075123
■040 ▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dOCLCF▼dYDX▼dEBLCP▼dN$T▼dYDX
■042 ▼apcc
■043 ▼ae-ur---
■05004▼aML300.4▼b.I77 2021
■08200▼a781.62/9171▼223
■090 ▼a전자도서
■1001 ▼aIssiyeva, Adalyat▼eauthor.
■24510▼aRepresenting Russia's orient :▼bfrom ethnography to art song ▼h[electronic resources]/▼cAdalyat Issiyeva.
■260 ▼aNew York, NY▼bOxford University Press▼c[2021]
■300 ▼a1 online resource (xxi, 406 pages) ▼billustrations, maps.
■4901 ▼aAMS studies in music
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aUnveiling Tradition : Oriental "Others" in Nineteenth-Century Russian (Folk)Song Collections -- Building Images of the "Other:" Russian Musical Ethnographies on Inorodtsy -- Aryanism and Asianism in the Quest for the Russian Identity -- Alexander Aliab'ev, Decembrism, and Russian Orient -- Balakirev, his Orient, and the Five -- Ethnographic Concerts at the Service of Empire.
■520 ▼a"This book examines the musical ramifications of Russian nineteenth-century expansion to the east and south and explores the formation and development of Russian musical discourse on Russia's own Orient. It traces the transition from music ethnography to art songs and discusses how various aspects of (music) ethnographies, folksong collections, music theories, and visual representations of Russia's ethnic minorities, or inorodtsy, shaped Russian composers' perception and musical representation of Russia's oriental "others." Situated on the periphery, minority peoples not only defined the geographical boundaries of the empire, its culture, and its music, but also defined the boundaries of Russianness itself. Extensively illustrated with music examples, archival material, and images from long-forgotten Russian sources, this book investigates historical, cultural, and musical elements which contributed to the formation and creation of Russia's imperial identity. It delineates musical elements that have been adopted to characterize Russians' own national hybridity. Three case studies-well-known leader of the Mighty Five Milii Balakirev, lesser known Alexander Aliab'ev, and the late-nineteenth-century composers affiliated with the Music-Ethnography Committee-demonstrate how and why, despite the overwhelming number of pejorative images and descriptions of inorodtsy, these composers decided to "forget" their social and political differences and sometimes "confused" and combined diverse minorities' identities with that of the "self." The analysis of the arrangements of folksongs of Russia's eastern and southern minorities reveals the trajectory of musical treatment from denigration and "othering" to embracing peoples from all provinces of the empire"--▼cProvided by publisher.
■648 7▼a1800-1999▼2fast
■650 0▼aMusic▼zRussia▼y19th century▼xHistory and criticism.
■650 0▼aMusic▼zRussia▼y20th century▼xHistory and criticism.
■650 0▼aFolk songs▼zRussia▼y19th century▼xHistory and criticism.
■650 0▼aOrientalism in music▼xHistory.
■650 0▼aOrientalism▼zRussia▼xHistory.
■650 0▼aEthnology▼zRussia▼xHistory.
■650 7▼aEthnology.▼2fast▼0(OCoLC)fst00916106
■650 7▼aFolk songs.▼2fast▼0(OCoLC)fst00929707
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■650 7▼aOrientalism.▼2fast▼0(OCoLC)fst01048139
■650 7▼aOrientalism in music.▼2fast▼0(OCoLC)fst01200643
■651 7▼aRussia.▼2fast▼0(OCoLC)fst01207312
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 7▼aHistory.▼2fast▼0(OCoLC)fst01411628
■77608▼iPrint version▼aIssiyeva, Adalyat.▼tRepresenting Russia's orient▼dNew York : Oxford University Press, 2020.▼z9780190051365▼w(DLC) 2020016406
■830 0▼aAMS studies in music.
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2661968
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