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The musical discourse of servitude [electronic resources]: authority, autonomy, and the work-concept in the music of Fux, Bach, and Handel
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The musical discourse of servitude [electronic resources]: authority, autonomy, and the work-concept in the music of Fux, Bach, and Handel
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML240.3-.W55 2020
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- The musical discourse of servitude [electronic resources]: authority, autonomy, and the work-concept in the music of Fux, Bach, and Handel / Harry White.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xvii, 307 pages) : illustrations
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction. Servitude, Autonomy and the European Musical Imagination -- The Minstrelsy of Heaven : Servility, Freedom and the Dynastic Style -- The Virtuoso of Submissiveness : Fux and the Concept of Authority -- The Steward of Unmeaning Art : Bach and the Musical Subject -- 'A Darkness Which Might be Felt' : Handel, Fux and the Oratorio -- Steps to Parnassus : Fux, Caldara and Bach -- Conclusion. Well, well, well : Fux, Bach and Handel.
- 요약 등 주기
- 요약"The Musical Discourse of Servitude examines the music of Johann Joseph Fux (c.1660-1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux's long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late baroque musical imagination which draws Fux, Bach and Handel into the orbit of North Italian compositional practice"--해제Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version White Harry 1958- The musical discourse of servitude
- 전자적 위치 및 접속
- 링크정보보기
MARC
008220118s[[20 us s 00 eng c■001on1149238667
■003OCoLC
■00520201110043732.5
■006m d
■007cr cnu---unuuu
■010 ▼a 2020012844
■020 ▼a9780190903893
■020 ▼a0190903899
■020 ▼a9780190903909
■020 ▼a0190903902
■020 ▼a9780190903886
■020 ▼a0190903880
■020 ▼z9780190903879
■035 ▼a2628904
■035 ▼a(OCoLC)1149238667
■040 ▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dOCLCQ▼dOCLCF▼dYDX▼dN$T▼dYDX
■042 ▼apcc
■043 ▼ae------
■05004▼aML240.3▼b.W55 2020
■08200▼a780.94/09033▼223
■090 ▼a전자도서
■1001 ▼aWhite, Harry▼d1958-▼eauthor.
■24514▼aThe musical discourse of servitude ▼h[electronic resources]:▼bauthority, autonomy, and the work-concept in the music of Fux, Bach, and Handel /▼cHarry White.
■260 ▼aNew York, NY▼bOxford University Press▼c[[2020]
■300 ▼a1 online resource (xvii, 307 pages) ▼billustrations
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction. Servitude, Autonomy and the European Musical Imagination -- The Minstrelsy of Heaven : Servility, Freedom and the Dynastic Style -- The Virtuoso of Submissiveness : Fux and the Concept of Authority -- The Steward of Unmeaning Art : Bach and the Musical Subject -- 'A Darkness Which Might be Felt' : Handel, Fux and the Oratorio -- Steps to Parnassus : Fux, Caldara and Bach -- Conclusion. Well, well, well : Fux, Bach and Handel.
■520 ▼a"The Musical Discourse of Servitude examines the music of Johann Joseph Fux (c.1660-1741) in relation to that of Johann Sebastian Bach and George Frideric Handel. Its principal argument is that Fux's long indenture as a composer of church music in Vienna gains in meaning (and cultural significance) when situated along an axis that runs between the liturgical servitude of writing music for the imperial court service and the autonomy of musical imagination which transpires in the late works of Bach and Handel. To this end, The Musical Discourse of Servitude constructs a typology of the late baroque musical imagination which draws Fux, Bach and Handel into the orbit of North Italian compositional practice"--▼cProvided by publisher.
■60010▼aFux, Johann Joseph▼d1660-1741.
■60010▼aBach, Johann Sebastian▼d1685-1750.
■60010▼aHandel, George Frideric▼d1685-1759.
■60017▼aBach, Johann Sebastian▼d1685-1750.▼2fast▼0(OCoLC)fst00031701
■60017▼aFux, Johann Joseph▼d1660-1741.▼2fast▼0(OCoLC)fst00045699
■60017▼aHandel, George Frideric▼d1685-1759.▼2fast▼0(OCoLC)fst00045463
■648 7▼a1700-1799▼2fast
■650 0▼aMusic▼zEurope▼y18th century▼xHistory and criticism.
■650 0▼aChurch music▼zEurope▼y18th century.
■650 7▼aChurch music.▼2fast▼0(OCoLC)fst00860809
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■651 7▼aEurope.▼2fast▼0(OCoLC)fst01245064
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 4▼aElectronic books.
■77608▼iPrint version▼aWhite, Harry, 1958-▼tThe musical discourse of servitude▼b[1.]▼dNew York : Oxford University Press, 2020.▼z9780190903879▼w(DLC) 2020012843
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2628904
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