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Charlie Parker, composer- [electronic resources]
Charlie Parker, composer [electronic resources] / Henry Martin.
Charlie Parker, composer- [electronic resources]

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자료유형  
 전자책(국외)
미국국회도서관 청구기호  
ML419.P4-M37 2020
자관 청구기호  
기본표목-개인명  
Martin Henry , 1950-
    표제와 책임표시사항  
    Charlie Parker, composer [electronic resources] / Henry Martin.
    발행, 배포, 간사 사항  
    New York, NY : Oxford University Press , [2020]
      형태사항  
      1 online resource
      서지 등 주기  
      Includes bibliographical references and index.
      내용주기  
      완전내용Cover -- Half title -- Charlie Parker, Composer -- Copyright -- Dedication -- Contents -- List of Examples and Tables -- Preface and Acknowledgments -- Introduction: Jazz Composition and Parker as Jazz Composer -- The Jazz Composition -- Improvisations Becoming Jazz Compositions -- Authoritative Recordings -- Creating a Chronological List of Parker Compositions -- Categorizing Parker Compositions -- Prior Studies and Analytical Approaches -- 1. Music Background and Compositional Overview -- Early Experiences and Training in Music -- Early Compositions
      내용주기  
      완전내용Roots of Bebop, Hines, Eckstine, and the Partnership with Gillespie -- Mature Compositional Career -- Unrecorded Compositions -- 2. 32-​Bar Rhythm Changes Compositions -- 5. Red Cross (1944) -- 7. Shaw 'Nuff (1945, co-​composed with Dizzy Gillespie) -- 18. Moose the Mooche (1946) -- 10. Thriving from a Riff (1945) -- 26. Dexterity (1947) -- 55. Passport (1949) -- 3. Other 32-​Bar AABA Compositions -- 1. Yardbird Suite (1940-​1941) -- 16. Alesia (1945) -- 9. Confirmation (1945) -- 67. My Little Suede Shoes (1951) -- 80. Throckmorton the Plumber (1954) -- 84. Tail Feathers (1955?)
      내용주기  
      완전내용4. 32-​Bar ABAC Compositions -- 17. Ornithology (1945, co-​composed with Benny Harris) -- 22. Donna Lee (1947) -- 36. Quasimodo (1947) -- 51. Cardboard (1949) -- 5. Through-​Composed Blues in C -- 21. Relaxin' at Camarillo (1947) -- 24. Cheryl (1947) -- 27. Bongo Bop (1947) -- 38. Bongo Beep (1947) -- 47. Perhaps (1948) -- 52. Visa (1949) -- 54. Passport (1949) -- 72. Back Home Blues (1951) -- 75. Cosmic Rays (1952) -- 77. Dum Dum (1954) -- 82. Bongo Bird (1955?) -- 6. Through-​Composed Blues in Other Keys -- 2. Wichita Blues (1940, co-​composed with Jay McShann?) -- 29. The Hymn (1947)
      내용주기  
      완전내용31. Bird Feathers (1947) -- 35. Big Foot (1947) -- 57. Bloomdido (1950) -- 59. Mohawk (1950) -- 73. Laird Baird (1952) -- 12. Billie's Bounce (1945) -- 43. Barbados (1948) -- 64. Au Privave (1951) -- 69. Blues for Alice (1951) -- 70. Si Si (1951) -- 78. Half-​Pass-​Fass (1954) -- 76. Chi Chi (1953) -- 79. Yashitaki-​Mikimoko (1954) -- 83. Gerry Bird (1955?) -- 7. 32-​Bar Compositions with A Section or Partial A Section -- 19. Bird's Nest (1947) -- 23. Chasin' the Bird (1947) -- 44. Ah-​Leu-​Cha (1948) -- 28. Dewey Square (1947) -- 32. Klactoveesedstene (1947) -- 33. Scrapple from the Apple (1947)
      내용주기  
      완전내용48. Marmaduke (1948) -- 34. The Bird (1947) -- 37. Charlie's Wig (1947) -- 45. Constellation (1948) -- 49. Steeplechase (1948) -- 53. Segment (1949) -- 58. An Oscar for Treadwell (1950) -- 63. Ballade (1950, co-​composed with Coleman Hawkins) -- 71. Swedish Schnapps (1951) -- 74. Kim (1952) -- 81. Tukki-​Wukki (1954) -- 8. Riff Blues -- 3. Hootie Blues (1940-​1941, co-​composed with Jay McShann) -- 4. The Jumpin' Blues (1941-​1942, co-​composed with Jay McShann) -- 13. Now's the Time (1945) -- 20. Cool Blues (1947) -- 25. Buzzy (1947) -- 39. Another Hair Do (1947) -- 40. Bluebird (1947)
      요약 등 주기  
      요약"Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain. The historical circumstances of each piece are reviewed, and, in some cases, sources of the ideas of the most important tunes are explored. The introduction includes a discussion of the ontology of a jazz composition. The view is advanced that the Western concept of a music composition needs to be expanded to embrace practices typical of jazz composition and forming a significant part of Parker's work. While focusing on Parker's more conventional tunes, the book also considers his large-scale melodic formulas. Two formulas in particular are arguably compositional, since they are repeated in subsequent performances of the same piece. As part of the research for this book, all of Parker's copyright submissions to the Library of Congress were examined and photographed. The book reproduces the four of them that were copied by Parker himself"--해제Provided by publisher.
      주제명부출표목-개인명  
      Parker Charlie , 1920-1955
        주제명부출표목-개인명  
        Parker Charlie , 1920-1955
          주제명부출표목-일반주제명  
          주제명부출표목-일반주제명  
          주제명부출표목-일반주제명  
          기타형태저록  
          Print version Martin Henry 1950- Charlie Parker composer
          전자적 위치 및 접속  
            링크정보보기

          MARC

           008220118s[202        us            s          00        eng  c
          ■001on1121420812
          ■003OCoLC
          ■00520200626064448.5
          ■006m                d                
          ■007cr  cnu---unuuu
          ■010    ▼a  2019042475
          ■020    ▼a9780190923419
          ■020    ▼a0190923415
          ■020    ▼a9780190923402
          ■020    ▼a0190923407
          ■020    ▼z9780190923389
          ■035    ▼a2426044
          ■035    ▼a(OCoLC)1121420812
          ■040    ▼aDLC▼beng▼erda▼cDLC▼dOCLCF▼dOCLCO▼dEBLCP▼dOCLCQ▼dN$T▼dUKOUP▼dYDX
          ■042    ▼apcc
          ■05004▼aML419.P4▼bM37  2020
          ■08200▼a788.7/3165092▼223
          ■090    ▼a전자도서
          ■1001  ▼aMartin,  Henry▼d1950-▼eauthor.
          ■24510▼aCharlie  Parker,  composer▼h[electronic  resources]  /▼cHenry  Martin.
          ■260    ▼aNew  York,  NY▼bOxford  University  Press▼c[2020]
          ■300    ▼a1  online  resource
          ■504    ▼aIncludes  bibliographical  references  and  index.
          ■5050  ▼aCover  --  Half  title  --  Charlie  Parker,  Composer  --  Copyright  --  Dedication  --  Contents  --  List  of  Examples  and  Tables  --  Preface  and  Acknowledgments  --  Introduction:  Jazz  Composition  and  Parker  as  Jazz  Composer  --  The  Jazz  Composition  --  Improvisations  Becoming  Jazz  Compositions  --  Authoritative  Recordings  --  Creating  a  Chronological  List  of  Parker  Compositions  --  Categorizing  Parker  Compositions  --  Prior  Studies  and  Analytical  Approaches  --  1.  Music  Background  and  Compositional  Overview  --  Early  Experiences  and  Training  in  Music  --  Early  Compositions
          ■5058  ▼aRoots  of  Bebop,  Hines,  Eckstine,  and  the  Partnership  with  Gillespie  --  Mature  Compositional  Career  --  Unrecorded  Compositions  --  2.  32-​Bar  Rhythm  Changes  Compositions  --  5.  Red  Cross  (1944)  --  7.  Shaw  'Nuff  (1945,  co-​composed  with  Dizzy  Gillespie)  --  18.  Moose  the  Mooche  (1946)  --  10.  Thriving  from  a  Riff  (1945)  --  26.  Dexterity  (1947)  --  55.  Passport  (1949)  --  3.  Other  32-​Bar  AABA  Compositions  --  1.  Yardbird  Suite  (1940-​1941)  --  16.  Alesia  (1945)  --  9.  Confirmation  (1945)  --  67.  My  Little  Suede  Shoes  (1951)  --  80.  Throckmorton  the  Plumber  (1954)  --  84.  Tail  Feathers  (1955?)
          ■5058  ▼a4.  32-​Bar  ABAC  Compositions  --  17.  Ornithology  (1945,  co-​composed  with  Benny  Harris)  --  22.  Donna  Lee  (1947)  --  36.  Quasimodo  (1947)  --  51.  Cardboard  (1949)  --  5.  Through-​Composed  Blues  in  C  --  21.  Relaxin'  at  Camarillo  (1947)  --  24.  Cheryl  (1947)  --  27.  Bongo  Bop  (1947)  --  38.  Bongo  Beep  (1947)  --  47.  Perhaps  (1948)  --  52.  Visa  (1949)  --  54.  Passport  (1949)  --  72.  Back  Home  Blues  (1951)  --  75.  Cosmic  Rays  (1952)  --  77.  Dum  Dum  (1954)  --  82.  Bongo  Bird  (1955?)  --  6.  Through-​Composed  Blues  in  Other  Keys  --  2.  Wichita  Blues  (1940,  co-​composed  with  Jay  McShann?)  --  29.  The  Hymn  (1947)
          ■5058  ▼a31.  Bird  Feathers  (1947)  --  35.  Big  Foot  (1947)  --  57.  Bloomdido  (1950)  --  59.  Mohawk  (1950)  --  73.  Laird  Baird  (1952)  --  12.  Billie's  Bounce  (1945)  --  43.  Barbados  (1948)  --  64.  Au  Privave  (1951)  --  69.  Blues  for  Alice  (1951)  --  70.  Si  Si  (1951)  --  78.  Half-​Pass-​Fass  (1954)  --  76.  Chi  Chi  (1953)  --  79.  Yashitaki-​Mikimoko  (1954)  --  83.  Gerry  Bird  (1955?)  --  7.  32-​Bar  Compositions  with  A  Section  or  Partial  A  Section  --  19.  Bird's  Nest  (1947)  --  23.  Chasin'  the  Bird  (1947)  --  44.  Ah-​Leu-​Cha  (1948)  --  28.  Dewey  Square  (1947)  --  32.  Klactoveesedstene  (1947)  --  33.  Scrapple  from  the  Apple  (1947)
          ■5058  ▼a48.  Marmaduke  (1948)  --  34.  The  Bird  (1947)  --  37.  Charlie's  Wig  (1947)  --  45.  Constellation  (1948)  --  49.  Steeplechase  (1948)  --  53.  Segment  (1949)  --  58.  An  Oscar  for  Treadwell  (1950)  --  63.  Ballade  (1950,  co-​composed  with  Coleman  Hawkins)  --  71.  Swedish  Schnapps  (1951)  --  74.  Kim  (1952)  --  81.  Tukki-​Wukki  (1954)  --  8.  Riff  Blues  --  3.  Hootie  Blues  (1940-​1941,  co-​composed  with  Jay  McShann)  --  4.  The  Jumpin'  Blues  (1941-​1942,  co-​composed  with  Jay  McShann)  --  13.  Now's  the  Time  (1945)  --  20.  Cool  Blues  (1947)  --  25.  Buzzy  (1947)  --  39.  Another  Hair  Do  (1947)  --  40.  Bluebird  (1947)
          ■520    ▼a"Charlie  Parker,  Composer  is  the  first  assessment  of  a  major  jazz  composer's  oeuvre  in  its  entirety.  Providing  analytical  discussion  of  each  of  Parker's  works,  this  study  combines  music-theoretical,  historical,  and  philosophical  perspectives.  A  variety  of  analytical  techniques  are  brought  to  bear  on  Parker's  compositions,  including  application  of  a  revised  Schenkerian  approach  to  the  music  that  was  developed  through  the  author's  prior  publications.  After  a  review  of  Parker's  life  emphasizing  his  musical  training  and  involvement  in  composition,  the  book  proceeds  by  considering  the  types  of  Parker  pieces  as  categorized  by  overall  form  and  harmony  and  the  amount  of  preplanned  music  they  contain.  The  historical  circumstances  of  each  piece  are  reviewed,  and,  in  some  cases,  sources  of  the  ideas  of  the  most  important  tunes  are  explored.  The  introduction  includes  a  discussion  of  the  ontology  of  a  jazz  composition.  The  view  is  advanced  that  the  Western  concept  of  a  music  composition  needs  to  be  expanded  to  embrace  practices  typical  of  jazz  composition  and  forming  a  significant  part  of  Parker's  work.  While  focusing  on  Parker's  more  conventional  tunes,  the  book  also  considers  his  large-scale  melodic  formulas.  Two  formulas  in  particular  are  arguably  compositional,  since  they  are  repeated  in  subsequent  performances  of  the  same  piece.  As  part  of  the  research  for  this  book,  all  of  Parker's  copyright  submissions  to  the  Library  of  Congress  were  examined  and  photographed.  The  book  reproduces  the  four  of  them  that  were  copied  by  Parker  himself"--▼cProvided  by  publisher.
          ■60010▼aParker,  Charlie▼d1920-1955▼xCriticism  and  interpretation.
          ■60017▼aParker,  Charlie▼d1920-1955.▼2fast▼0(OCoLC)fst00017100
          ■648  7▼a1941-1960▼2fast
          ■650  0▼aJazz▼y1941-1950▼xHistory  and  criticism.
          ■650  0▼aJazz▼y1951-1960▼xHistory  and  criticism.
          ■650  7▼aJazz.▼2fast▼0(OCoLC)fst00982165
          ■655  4▼aElectronic  books.
          ■655  7▼aCriticism,  interpretation,  etc.▼2fast▼0(OCoLC)fst01411635
          ■77608▼iPrint  version▼aMartin,  Henry,  1950-▼tCharlie  Parker,  composer▼dNew  York  :  Oxford  University  Press,  2020.▼z9780190923389▼w(DLC)    2019042474
          ■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2426044

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