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Debussy's critics [electronic resources] : sound, affect, and the experience of modernism
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Debussy's critics [electronic resources] : sound, affect, and the experience of modernism
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML410.D28-K5 2019
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Debussys critics [electronic resources] : sound, affect, and the experience of modernism / Alexandra Kieffer.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource.
- 서지 등 주기
- Includes bibliographical references and index.
- 요약 등 주기
- 요약Following the premiere of Pelléas et Mélisande in 1902, Debussy's supporters, attempting to explain the opera's novelty, turned away from a music aesthetics that gave primacy to inner emotion and toward an aesthetics oriented instead toward listening, sensation and the materiality of sound. Over the following decade, critics Jean Marnold and Louis Laloy, drawing from a wide swath of early-20th-century intellectual culture that included empirical psychology and post-Helmholtzian acoustics, were particularly influential as defenders of the ostensibly scientifically valid nature of Debussy's innovations as well as his historical importance. This text examines the decline of debussysme as standards of aesthetic value shifted toward the abstract and universal.
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Kieffer Alexandra 1986- Debussy's critics
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■020 ▼a9780190947224
■020 ▼a0190947225
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■090 ▼a전자도서
■1001 ▼aKieffer, Alexandra▼d1986-▼eauthor.
■24510▼aDebussy's critics▼h[electronic resources] :▼bsound, affect, and the experience of modernism /▼cAlexandra Kieffer.
■260 ▼aNew York, NY▼bOxford University Press▼c[2019]
■300 ▼a1 online resource.
■504 ▼aIncludes bibliographical references and index.
■5208 ▼aFollowing the premiere of Pelléas et Mélisande in 1902, Debussy's supporters, attempting to explain the opera's novelty, turned away from a music aesthetics that gave primacy to inner emotion and toward an aesthetics oriented instead toward listening, sensation and the materiality of sound. Over the following decade, critics Jean Marnold and Louis Laloy, drawing from a wide swath of early-20th-century intellectual culture that included empirical psychology and post-Helmholtzian acoustics, were particularly influential as defenders of the ostensibly scientifically valid nature of Debussy's innovations as well as his historical importance. This text examines the decline of debussysme as standards of aesthetic value shifted toward the abstract and universal.
■60010▼aDebussy, Claude▼d1862-1918▼xCriticism and interpretation.
■60010▼aDebussy, Claude▼d1862-1918▼xAppreciation.
■60017▼aDebussy, Claude▼d1862-1918.▼2fast▼0(OCoLC)fst00045701
■650 0▼aMusic▼zFrance▼y20th century▼xHistory and criticism.
■650 7▼aArt appreciation.▼2fast▼0(OCoLC)fst00815447
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■650 7▼aMUSIC / Genres & Styles / Classical▼2bisacsh
■650 7▼aMUSIC / Reference▼2bisacsh
■651 7▼aFrance.▼2fast▼0(OCoLC)fst01204289
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 4▼aElectronic books.
■655 0▼aElectronic books.
■77608▼iPrint version▼aKieffer, Alexandra, 1986-▼tDebussy's critics.▼dNew York, NY : Oxford University Press, [2019]▼z9780190847241▼w(DLC) 2018044930▼w(OCoLC)1055569051
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2143498
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