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Resonant recoveries [electronic resources]: French music and trauma between the world wars
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Resonant recoveries [electronic resources]: French music and trauma between the world wars
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML3917.F8-R65 2021eb
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Resonant recoveries [electronic resources]: French music and trauma between the world wars / Jillian C. Rogers.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xxx, 364 pages) : illustrations, music.
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction. "La Plus Grande Consolatrice" : Music as a Corporeal Technology of Consolation in Interwar France -- Music Making as Emotional Care: Negotiating Trauma, Expressional Norms, and Politics in Wartime France -- Embodying Sonic Resonance As/After Trauma : Vibration, Music, and Medicine -- Soothing Movements : The Consolatory Potential of Musique Dépouillé's Rhythm and Repetition -- In Search of a Consolatory Past : Grief and Embodied Musical Memory -- Rire as Release and Rapport : Pleasure and Laughter in French Interwar Musical Theater -- Conclusion. Touched by Music Making : Intimacy and Love in the Wake of Trauma.
- 요약 등 주기
- 요약"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Rogers Jillian C Resonant recoveries
- 전자적 위치 및 접속
- 링크정보보기
MARC
008220126s[202 us s 00 eng c■001on1228236880
■003OCoLC
■00520210420045641.5
■006m d
■007cr |||||||||||
■020 ▼a9780190658304
■020 ▼a0190658304
■020 ▼z9780190658298
■020 ▼z0190658290
■035 ▼a2714021
■035 ▼a(OCoLC)1228236880
■040 ▼aYDX▼beng▼erda▼cYDX▼dYDX▼dN$T▼dOCLCO▼dEBLCP▼dOCLCF▼dUKOUP▼dIBI▼dIUL
■050 4▼aML3917.F8▼bR65 2021eb
■08204▼a780.944/0904▼223
■090 ▼a전자도서
■1001 ▼aRogers, Jillian C.▼eauthor.
■24510▼aResonant recoveries ▼h[electronic resources]:▼bFrench music and trauma between the world wars /▼cJillian C. Rogers.
■24630▼aFrench music and trauma between the world wars
■260 ▼aNew York▼bOxford University Press▼c[2021]
■300 ▼a1 online resource (xxx, 364 pages) ▼billustrations, music.
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction. "La Plus Grande Consolatrice" : Music as a Corporeal Technology of Consolation in Interwar France -- Music Making as Emotional Care: Negotiating Trauma, Expressional Norms, and Politics in Wartime France -- Embodying Sonic Resonance As/After Trauma : Vibration, Music, and Medicine -- Soothing Movements : The Consolatory Potential of Musique Dépouillé's Rhythm and Repetition -- In Search of a Consolatory Past : Grief and Embodied Musical Memory -- Rire as Release and Rapport : Pleasure and Laughter in French Interwar Musical Theater -- Conclusion. Touched by Music Making : Intimacy and Love in the Wake of Trauma.
■520 ▼a"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--▼cProvided by publisher.
■648 7▼a1900-1999▼2fast
■650 0▼aWorld War, 1914-1918▼zFrance.
■650 0▼aMusic▼zFrance▼xPsychological aspects▼xHistory▼y20th century.
■650 0▼aMusic▼zFrance▼y20th century▼xHistory and criticism.
■650 0▼aWorld War, 1914-1918▼zFrance▼xPsychological aspects.
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■650 7▼aMusic and war.▼2fast▼0(OCoLC)fst01030492
■650 7▼aMusic▼xPsychological aspects.▼2fast▼0(OCoLC)fst01030418
■650 7▼aPsychological aspects.▼2fast▼0(OCoLC)fst01354086
■651 7▼aFrance.▼2fast▼0(OCoLC)fst01204289
■655 0▼aElectronic books.
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 7▼aHistory.▼2fast▼0(OCoLC)fst01411628
■77608▼iPrint version▼aRogers, Jillian C.▼tResonant recoveries.▼dNew York : Oxford University Press, 2021▼z9780190658298▼w(DLC) 2020029605▼w(OCoLC)1163949252
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2714021
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