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The afterlives of Kathleen Collins [electronic resource]: a Black woman filmmaker's search for new life
The afterlives of Kathleen Collins [electronic resource]: a Black woman filmmaker's search for new life
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1998.3.C6673-H67 2021
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- The afterlives of Kathleen Collins [electronic resource]: a Black woman filmmakers search for new life / L. H. Stallings.
- 출판 정보
- Bloomington, Indiana:Indiana University Press[2021]
- 형태사항
- 1 online resource (viii, 201 pages) : illustrations.
- 총서사항
- Studies in the cinema of the Black diaspora
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction. Anterior life -- She liked writing : love life -- Love, a crisis of possession : life of the mind -- Fifth dimension cinema : Mocambo life -- Cinematic marronage : Karkinos life -- Black feminist poethics of cancer -- Conclusion: Dreams no longer deferred.
- 요약 등 주기
- 요약"An absorbing portrait of a groundbreaking Black woman filmmaker. Kathleen Collins (1942-88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works. The Afterlives of Kathleen Collins definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers"--해제Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 기타형태저록
- Print version Horton-Stallings LaMonda Afterlives of Kathleen Collins
- 총서부출표목-통일표제
- Studies in the cinema of the Black diaspora.
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■007cr
■010 ▼a 2021031446
■020 ▼a0253059046▼qelectronic book
■020 ▼a9780253059024▼qelectronic book
■020 ▼a025305902X▼qelectronic book
■020 ▼a9780253059048▼q(electronic bk.)
■020 ▼z9780253059017▼qhardcover
■020 ▼z9780253059031▼qpaperback
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■035 ▼a(OCoLC)1269507034
■037 ▼a22573/ctv21g7pss▼bJSTOR
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■043 ▼an-us---
■049 ▼aMAIN
■05004▼aPN1998.3.C6673▼bH67 2021
■072 7▼aPER▼x018000▼2bisacsh
■072 7▼aBIO▼x002010▼2bisacsh
■072 7▼aART▼x038000▼2bisacsh
■08200▼a791.4302/33092▼223
■090 ▼a전자도서
■1001 ▼aHorton-Stallings, LaMonda▼eauthor.
■24514▼aThe afterlives of Kathleen Collins ▼h[electronic resource]:▼ba Black woman filmmaker's search for new life /▼cL. H. Stallings.
■264 1▼aBloomington, Indiana▼bIndiana University Press▼c[2021]
■300 ▼a1 online resource (viii, 201 pages)▼billustrations.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼aStudies in the cinema of the Black diaspora
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction. Anterior life -- She liked writing : love life -- Love, a crisis of possession : life of the mind -- Fifth dimension cinema : Mocambo life -- Cinematic marronage : Karkinos life -- Black feminist poethics of cancer -- Conclusion: Dreams no longer deferred.
■520 ▼a"An absorbing portrait of a groundbreaking Black woman filmmaker. Kathleen Collins (1942-88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works. The Afterlives of Kathleen Collins definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers"--▼cProvided by publisher.
■588 ▼aDescription based on online resource; title from digital title page (viewed on October 21, 2021).
■590 ▼aWorldCat record variable field(s) change: 072
■60010▼aCollins, Kathleen▼d1942-1988.
■650 0▼aAfrican American women motion picture producers and directors▼vBiography.
■650 0▼aAfrican American women screenwriters▼vBiography.
■650 0▼aBiographical films▼zUnited States▼xHistory and criticism.
■650 0▼aAfrican Americans in motion pictures.
■650 0▼aRace in motion pictures.
■650 7▼aAfrican American women motion picture producers and directors.▼2fast▼0(OCoLC)fst00799508
■650 7▼aAfrican American women screenwriters.▼2fast▼0(OCoLC)fst00799523
■650 7▼aAfrican Americans in motion pictures.▼2fast▼0(OCoLC)fst00799733
■650 7▼aBiographical films.▼2fast▼0(OCoLC)fst00832143
■650 7▼aRace in motion pictures.▼2fast▼0(OCoLC)fst01086507
■650 7▼aPERFORMING ARTS / Individual Director▼2bisacsh
■651 7▼aUnited States.▼2fast▼0(OCoLC)fst01204155
■655 4▼aElectronic books.
■655 7▼aBiographies.▼2fast▼0(OCoLC)fst01919896
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■77608▼iPrint version▼aHorton-Stallings, LaMonda.▼tAfterlives of Kathleen Collins▼dBloomington, Indiana : Indiana University Press, [2021]▼z9780253059017▼w(DLC) 2021031445
■830 0▼aStudies in the cinema of the Black diaspora.
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3050117
■938 ▼aEBSCOhost▼bEBSC▼n3050117
■994 ▼a92▼bN$T
![The afterlives of Kathleen Collins [electronic resource]: a Black woman filmmaker's searc...](/Sponge/Images/bookDefaults/EBbookdefaultsmall.png)


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