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White terror [electronic resource]: the horror film from Obama to Trump
White terror [electronic resource]: the horror film from Obama to Trump / Russell Meeuf.
White terror [electronic resource]: the horror film from Obama to Trump

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
PN1995.9.H6
미국국회도서관 청구기호  
PN1995.9.H6-M44 2022eb
자관 청구기호  
기본표목-개인명  
Meeuf Russell , 1981-
    표제와 책임표시사항  
    White terror [electronic resource]: the horror film from Obama to Trump / Russell Meeuf.
    출판 정보  
    Bloomington:Indiana University Press2022.
    형태사항  
    1 online resource (viii, 215 pages) : color illustrations.
    서지 등 주기  
    Includes bibliographical references and index.
    내용주기  
    완전내용Introduction: whiteness, politics and horror -- Whiteness under siege, Pt. 1: Haunted house films -- Whiteness under siege, Pt. 2: Home invasions -- American dreams: fantasies and social mobility in Dream house and Drag me to hell -- Sad white men and their demons: possession films -- Suffering and reluctant mothers meet their match: horrific children -- Motor City gothic: white youth and economic anxiety in It follows and Don't breath -- Surveilling whiteness: the horrific technology film -- Making horror great again: the horror remake -- Conclusion: horror in the Trump era.
    요약 등 주기  
    요약"What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump"--해제Provided by publisher.
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-일반주제명  
    주제명부출표목-지명  
    기타형태저록  
    Print version Meeuf Russell 1981- White terror
    전자적 위치 및 접속  
      링크정보보기

    MARC

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    ■05000▼aPN1995.9.H6
    ■050  4▼aPN1995.9.H6▼bM44  2022eb
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    ■090    ▼a전자도서  
    ■1001  ▼aMeeuf,  Russell▼d1981-▼eauthor.
    ■24510▼aWhite  terror▼h[electronic  resource]:▼bthe  horror  film  from  Obama  to  Trump  /▼cRussell  Meeuf.
    ■264  1▼aBloomington▼bIndiana  University  Press▼c2022.
    ■300    ▼a1  online  resource  (viii,  215  pages)▼bcolor  illustrations.
    ■336    ▼atext▼btxt▼2rdacontent
    ■337    ▼acomputer▼bc▼2rdamedia
    ■338    ▼aonline  resource▼bcr▼2rdacarrier
    ■504    ▼aIncludes  bibliographical  references  and  index.
    ■5050  ▼aIntroduction:  whiteness,  politics  and  horror  --  Whiteness  under  siege,  Pt.  1:  Haunted  house  films  --  Whiteness  under  siege,  Pt.  2:  Home  invasions  --  American  dreams:  fantasies  and  social  mobility  in  Dream  house  and  Drag  me  to  hell  --  Sad  white  men  and  their  demons:  possession  films  --  Suffering  and  reluctant  mothers  meet  their  match:  horrific  children  --  Motor  City  gothic:  white  youth  and  economic  anxiety  in  It  follows  and  Don't  breath  --  Surveilling  whiteness:  the  horrific  technology  film  --  Making  horror  great  again:  the  horror  remake  --  Conclusion:  horror  in  the  Trump  era.
    ■520    ▼a"What  kinds  of  terror  lurk  beneath  the  surface  of  White  respectability?  Many  of  the  top-grossing  US  horror  films  between  2008  and  2016  relied  heavily  on  themes  of  White,  patriarchal  fear  and  fragility:  outsiders  disrupting  the  sanctity  of  the  almost  always  White  family,  evil  forces  or  transgressive  ideas  transforming  loved  ones,  and  children  dying  when  White  women  eschew  traditional  maternal  roles.  Horror  film  has  a  long  history  of  radical,  political  commentary,  and  Russell  Meeuf  reveals  how  racial  resentments  represented  specifically  in  horror  films  produced  during  the  Obama  era  gave  rise  to  the  Trump  presidency  and  the  Make  America  Great  Again  movement.  Featuring  films  such  as  The  Conjuring  and  Don't  Breathe,  White  Terror  explores  how  motifs  of  home  invasion,  exorcism,  possession,  and  hauntings  mirror  cultural  debates  around  White  masculinity,  class,  religion,  socioeconomics,  and  more.  In  the  vein  of  Jordan  Peele,  White  Terror  exposes  how  White  mainstream  fear  affects  the  horror  film  industry,  which  in  turn  cashes  in  on  that  fear  and  draws  voters  to  candidates  like  Trump"--▼cProvided  by  publisher.
    ■588    ▼aDescription  based  on  print  version  record  and  CIP  data  provided  by  publisher.
    ■590    ▼aWorldCat  record  variable  field(s)  change:  050
    ■648  7▼a2000-2099▼2fast
    ■650  0▼aHorror  films▼zUnited  States▼xHistory  and  criticism.
    ■650  0▼aWhite  people  in  motion  pictures.
    ■650  0▼aRace  in  motion  pictures.
    ■650  0▼aRace  relations  in  motion  pictures.
    ■650  0▼aMotion  pictures▼xPolitical  aspects▼zUnited  States▼xHistory▼y21st  century.
    ■650  0▼aMotion  pictures▼zUnited  States▼xHistory▼y21st  century.
    ■650  6▼aFilms  d'horreur▼zÉtats-Unis▼xHistoire  et  critique.
    ■650  6▼aRace  au  cinéma.
    ■650  6▼aRelations  raciales  au  cinéma.
    ■650  6▼aCinéma▼zÉtats-Unis▼xHistoire▼y21e  siècle.
    ■650  7▼aHorror  films.▼2fast▼0(OCoLC)fst00960370
    ■650  7▼aMotion  pictures.▼2fast▼0(OCoLC)fst01027285
    ■650  7▼aMotion  pictures▼xPolitical  aspects.▼2fast▼0(OCoLC)fst01027353
    ■650  7▼aRace  in  motion  pictures.▼2fast▼0(OCoLC)fst01086507
    ■650  7▼aRace  relations  in  motion  pictures.▼2fast▼0(OCoLC)fst01086566
    ■650  7▼aWhite  people  in  motion  pictures.▼2fast▼0(OCoLC)fst01174834
    ■651  7▼aUnited  States.▼2fast▼0(OCoLC)fst01204155
    ■655  4▼aElectronic  books.
    ■655  7▼aCriticism,  interpretation,  etc.▼2fast▼0(OCoLC)fst01411635
    ■655  7▼aHistory.▼2fast▼0(OCoLC)fst01411628
    ■77608▼iPrint  version▼aMeeuf,  Russell,  1981-▼tWhite  terror▼dBloomington  :  Indiana  University  Press,  2022▼z9780253060372▼w(DLC)    2021033555
    ■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3117925
    ■938    ▼aEBSCOhost▼bEBSC▼n3117925
    ■994    ▼a92▼bN$T

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