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Russia's theatrical past : court entertainment in the seventeenth century- [electronic resource]
Russia's theatrical past : court entertainment in the seventeenth century- [electronic resource]
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN2726.M6-J46 2021
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Russias theatrical past : court entertainment in the seventeenth century - [electronic resource] / Claudia Jensen, Ingrid Maier, and Stepan Shamin ; with Daniel C. Waugh.
- 출판 정보
- Bloomington, Indiana:Indiana University Press[2021]
- 형태사항
- 1 online resource
- 총서사항
- Russian music studies
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction: The Comedians Come to Pskov -- Court Music at Home and Abroad -- The Theater of Diplomacy -- Introducing Pickleherring: The Origins of the Russian Court Theater -- The Plays and "Ballets" for the Tsar -- The Play of Tamerlane -- From Tamerlane to Tamerlane and Beyond.
- 요약 등 주기
- 요약"In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, and Stepan Shamin, with Daniel C. Waugh, mine Russian archival sources to document the musical history of these productions, originally available only in court venues for the privileged. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics at the time. Focusing on Northern European and Ukrainian Orthodox musical and theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century"--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-지명
- 부출표목-개인명
- 부출표목-개인명
- 부출표목-개인명
- 기타형태저록
- Print version Jensen Claudia Rae Russia's theatrical past
- 총서부출표목-통일표제
- Russian music studies.
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■090 ▼a전자도서
■1001 ▼aJensen, Claudia Rae▼eauthor.
■24510▼aRussia's theatrical past▼bcourt entertainment in the seventeenth century▼h[electronic resource]▼cClaudia Jensen, Ingrid Maier, and Stepan Shamin ; with Daniel C. Waugh.
■264 1▼aBloomington, Indiana▼bIndiana University Press▼c[2021]
■300 ▼a1 online resource
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■4901 ▼aRussian music studies
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction: The Comedians Come to Pskov -- Court Music at Home and Abroad -- The Theater of Diplomacy -- Introducing Pickleherring: The Origins of the Russian Court Theater -- The Plays and "Ballets" for the Tsar -- The Play of Tamerlane -- From Tamerlane to Tamerlane and Beyond.
■520 ▼a"In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, and Stepan Shamin, with Daniel C. Waugh, mine Russian archival sources to document the musical history of these productions, originally available only in court venues for the privileged. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics at the time. Focusing on Northern European and Ukrainian Orthodox musical and theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century"--▼cProvided by publisher.
■588 ▼aDescription based on online resource; title from digital title page (viewed on April 23, 2021).
■590 ▼aMaster record variable field(s) change: 072
■648 7▼a1600-1699▼2fast
■650 0▼aTheater▼zRussia (Federation)▼zMoscow▼xHistory▼y17th century.
■650 0▼aMusic▼zRussia (Federation)▼zMoscow▼y17th century▼xHistory and criticism.
■650 7▼aMusic.▼2fast▼0(OCoLC)fst01030269
■650 7▼aTheater.▼2fast▼0(OCoLC)fst01149217
■650 7▼aMUSIC / History & Criticism▼2bisacsh
■651 7▼aRussia (Federation)▼zMoscow.▼2fast▼0(OCoLC)fst01205741
■655 4▼aElectronic books.
■655 7▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635
■655 7▼aHistory.▼2fast▼0(OCoLC)fst01411628
■7001 ▼aMaier, Ingrid▼eauthor.
■7001 ▼aShamin, S. M.▼eauthor.
■7001 ▼aWaugh, Daniel Clarke▼eauthor.
■77608▼iPrint version▼aJensen, Claudia Rae.▼tRussia's theatrical past▼dBloomington : Indiana University Press, 2021.▼z9780253056337▼w(DLC) 2020043802
■830 0▼aRussian music studies.
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2752572
■938 ▼aEBSCOhost▼bEBSC▼n2752572
■994 ▼a92▼bN$T
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