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A new history of documentary film - [electronic resources]
![A new history of documentary film [electronic resources] / Betsy A. McLane.](/Sponge/Images/bookDefaults/EBbookdefaultsmall.png)
A new history of documentary film - [electronic resources]
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- PN1995.9.D6-N3779 2023
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- A new history of documentary film [electronic resources] / Betsy A. McLane.
- 판사항
- Third edition.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (xviii, 443 pages) : illustrations (chiefly color)
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Intro -- Half Title -- Title Page -- Copyright Page -- Contents -- Illustrations -- Preface -- Introduction -- How to Study Documentary -- How to Use This Book -- Chapter 1: Ways to Think About Documentary -- Description -- Definition -- Intellectual Contexts -- Chapter 2: Origins -- Early War and Propaganda Films -- Propaganda -- Chapter 3: Exploration and Establishment -- Exploration -- Early Visual Anthropology -- Frances and Robert Flaherty -- Chapter 4: The Soviets -- Reportage/Newsreel -- Theory -- Compilation -- Epic -- Fiction and Documentary -- Chapter 5: Avant-Garde Expressions
- 내용주기
- 완전내용Avant-Garde and Documentary -- City Symphonies -- Three Classic European City Symphonies -- Changes in the Avant-Garde -- Chapter 6: Institutionalization: Great Britain, 1929-39 -- Background -- The System -- The Films -- Women Filmmakers -- Grierson's Lasting Contribution -- Chapter 7: Institutionalization: United States -- The March of Time -- Government Sponsorship -- Nongovernment Documentaries -- Comparisons: The United Kingdom and The United States -- Canada -- An Aside -- Chapter 8: The Second World War -- Part A: Great Britain -- Part B: Canada -- Part C: United States -- Conclusions
- 내용주기
- 완전내용Chapter 9: The Postwar Era, 1945-60 -- Personnel and Leadership -- Sponsorship -- Marshall Plan Films -- Canadian Independents -- USIA Films -- Subjects -- Approaches and Techniques -- Chapter 10: A New Channel: Documentary for Television, 1951-71 -- A Technical Note -- Historical Background -- Documentary Series -- Characteristics of Broadcast Television Documentary -- Chapter 11: Free Cinema/New American Cinema, 1953-69 -- Britain -- Critical Background -- The Films -- Meaning -- United States -- New York School Films -- New American Cinema -- Chapter 12: Cinéma Verité/Direct Cinema
- 내용주기
- 완전내용Historical Background -- New Technologies -- Canada -- United States -- The Films -- France -- Direct Cinema versus Cinema Verité -- Effects on Subjects and Styles -- Opposite Directions -- Chapter 13: Power to the People: The 1970s -- Some Established Filmmakers -- New Directions in CV/Direct -- Political Emphases -- The Feminist Surge -- Women's Institutions -- Challenge for Change -- Public Access Television -- Other Emerging Organizations -- Conclusions -- Chapter 14: Video Arrives and Conquers: The 1980s -- Film to Video -- Cable and Satellite Technology -- The Personal Essay Film
- 내용주기
- 완전내용Historical Compilation -- Strictly Political -- Ongoing Activism -- Racial and Ethnic Voices -- Canada -- England -- Representing Gay and Lesbian Culture -- Chapter 15: 100 Years of Documentary -- Business and Technology: The Bad and the Good -- American Public Television -- Archival Storytelling -- The Ken Burns Phenomenon -- Canada Soldiers On -- Developments in the UK -- American Independents -- Chapter 16: Documentary Traditions in the Twenty-first Century -- United States -- Six Noted Filmmakers -- Animation -- Experimental Film -- Chapter 17: Academic and Theoretical Approaches -- Finance
- 요약 등 주기
- 요약"An up-to-date historical overview of documentary history, the role of women in documentary history, and consideration of newest trends and global filmmaking"--해제Provided by publisher
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version McLane Betsy A New history of documentary film
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■05004▼aPN1995.9.D6▼bN3779 2023
■08200▼a070.1/8▼223
■090 ▼a전자자료
■1001 ▼aMcLane, Betsy A.▼eauthor.
■24512▼aA new history of documentary film ▼h[electronic resources] /▼cBetsy A. McLane.
■250 ▼aThird edition.
■260 ▼aNew York▼bBloomsbury Academic▼c2023.
■300 ▼a1 online resource (xviii, 443 pages)▼billustrations (chiefly color)
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntro -- Half Title -- Title Page -- Copyright Page -- Contents -- Illustrations -- Preface -- Introduction -- How to Study Documentary -- How to Use This Book -- Chapter 1: Ways to Think About Documentary -- Description -- Definition -- Intellectual Contexts -- Chapter 2: Origins -- Early War and Propaganda Films -- Propaganda -- Chapter 3: Exploration and Establishment -- Exploration -- Early Visual Anthropology -- Frances and Robert Flaherty -- Chapter 4: The Soviets -- Reportage/Newsreel -- Theory -- Compilation -- Epic -- Fiction and Documentary -- Chapter 5: Avant-Garde Expressions
■5058 ▼aAvant-Garde and Documentary -- City Symphonies -- Three Classic European City Symphonies -- Changes in the Avant-Garde -- Chapter 6: Institutionalization: Great Britain, 1929-39 -- Background -- The System -- The Films -- Women Filmmakers -- Grierson's Lasting Contribution -- Chapter 7: Institutionalization: United States -- The March of Time -- Government Sponsorship -- Nongovernment Documentaries -- Comparisons: The United Kingdom and The United States -- Canada -- An Aside -- Chapter 8: The Second World War -- Part A: Great Britain -- Part B: Canada -- Part C: United States -- Conclusions
■5058 ▼aChapter 9: The Postwar Era, 1945-60 -- Personnel and Leadership -- Sponsorship -- Marshall Plan Films -- Canadian Independents -- USIA Films -- Subjects -- Approaches and Techniques -- Chapter 10: A New Channel: Documentary for Television, 1951-71 -- A Technical Note -- Historical Background -- Documentary Series -- Characteristics of Broadcast Television Documentary -- Chapter 11: Free Cinema/New American Cinema, 1953-69 -- Britain -- Critical Background -- The Films -- Meaning -- United States -- New York School Films -- New American Cinema -- Chapter 12: Cinéma Verité/Direct Cinema
■5058 ▼aHistorical Background -- New Technologies -- Canada -- United States -- The Films -- France -- Direct Cinema versus Cinema Verité -- Effects on Subjects and Styles -- Opposite Directions -- Chapter 13: Power to the People: The 1970s -- Some Established Filmmakers -- New Directions in CV/Direct -- Political Emphases -- The Feminist Surge -- Women's Institutions -- Challenge for Change -- Public Access Television -- Other Emerging Organizations -- Conclusions -- Chapter 14: Video Arrives and Conquers: The 1980s -- Film to Video -- Cable and Satellite Technology -- The Personal Essay Film
■5058 ▼aHistorical Compilation -- Strictly Political -- Ongoing Activism -- Racial and Ethnic Voices -- Canada -- England -- Representing Gay and Lesbian Culture -- Chapter 15: 100 Years of Documentary -- Business and Technology: The Bad and the Good -- American Public Television -- Archival Storytelling -- The Ken Burns Phenomenon -- Canada Soldiers On -- Developments in the UK -- American Independents -- Chapter 16: Documentary Traditions in the Twenty-first Century -- United States -- Six Noted Filmmakers -- Animation -- Experimental Film -- Chapter 17: Academic and Theoretical Approaches -- Finance
■520 ▼a"An up-to-date historical overview of documentary history, the role of women in documentary history, and consideration of newest trends and global filmmaking"--▼cProvided by publisher
■5880 ▼aOnline resource; title from digital title page (viewed on January 09, 2023).
■590 ▼aOCLC control number change
■650 0▼aDocumentary films▼xHistory and criticism.
■650 7▼aDocumentary films.▼2fast▼0(OCoLC)fst00896079
■77608▼iPrint version▼aMcLane, Betsy A.▼tNew history of documentary film.▼bThird edition.▼dNew York : Bloomsbury Academic, 2022▼z9781501385162▼w(DLC) 2022020030
■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3440651
■938 ▼aEBSCOhost▼bEBSC▼n3440651
■994 ▼a92▼bN$T
