본문

서브메뉴

상세정보

Flaco's legacy [electronic resources] : the globalization of conjunto
Flaco's legacy  [electronic resources] : the globalization of conjunto / Erin E. Bauer.
Flaco's legacy [electronic resources] : the globalization of conjunto

상세정보

자료유형  
 전자책(국외)
미국국회도서관 청구기호  
ML3476-.B38 2023
자관 청구기호  
기본표목-개인명  
Bauer Erin E , 1983-
    표제와 책임표시사항  
    Flacos legacy [electronic resources] : the globalization of conjunto / Erin E. Bauer.
    발행, 배포, 간사 사항  
    Urbana : University of Illinois Press , [2023]
      형태사항  
      1 online resource (viii, 290 pages) : illustrations.
      총서사항  
      Music in American life
      서지 등 주기  
      Includes bibliographical references and index.
      내용주기  
      완전내용Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized.
      요약 등 주기  
      요약"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"--해제Provided by publisher.
      주제명부출표목-개인명  
      주제명부출표목-일반주제명  
      주제명부출표목-일반주제명  
      기타형태저록  
      Print version Bauer Erin E 1983- Flaco's legacy
      총서부출표목-통일표제  
      Music in American life.
      전자적 위치 및 접속  
        링크정보보기

      MARC

       008260127s2023        ilua        sbk      001  0  eng
      ■001on1350420297
      ■003EBZ
      ■00520230606213017.0
      ■006m                d                
      ■007cr
      ■010    ▼a  2022048756
      ■020    ▼a0252054296▼qelectronic  book
      ■020    ▼a9780252054297▼q(electronic  bk.)
      ■020    ▼z9780252045028▼qhardcover
      ■020    ▼z9780252087158▼qpaperback
      ■040    ▼aEBZ▼beng▼cEBZ
      ■042    ▼apcc
      ■049    ▼aMAIN
      ■05004▼aML3476▼b.B38  2023
      ■08204▼a781.64097▼223
      ■090    ▼a전자자료
      ■1001  ▼aBauer,  Erin  E.▼d1983-▼eauthor.
      ■24510▼aFlaco's  legacy  ▼h[electronic  resources]  :▼bthe  globalization  of  conjunto  /▼cErin  E.  Bauer.
      ■260    ▼aUrbana▼bUniversity  of  Illinois  Press▼c[2023]
      ■300    ▼a1  online  resource  (viii,  290  pages)▼billustrations.
      ■336    ▼atext▼btxt▼2rdacontent
      ■337    ▼acomputer▼bc▼2rdamedia
      ■338    ▼aonline  resource▼bcr▼2rdacarrier
      ■3410  ▼atextual▼2sapdv▼3EBSCOhost
      ■4901  ▼aMusic  in  American  life
      ■504    ▼aIncludes  bibliographical  references  and  index.
      ■5050  ▼aIntroduction.  The  Globalization  of  Conjunto  --  Part  I.  The  Migration  of  Conjunto.  "We  love  you,  Flaco!"  :  Chicken  Skin  Music,  "Mingomania,"  and  the  Inter/national  Presentation  of  Conjunto  ;  "Ladies  and  gentlemen,  Dodge  presents  Flaco  Jiménez!"  :  Arhoolie  Records,  Keda  Radio  Jalapeño,  and  the  Mediated  Dispersal  of  Conjunto  ;  "From  Texas  to  Washington  and  across  to  Michigan  and  Illinois...":  Los  Cuatro  Vientos,  Los  Texmaniacs,  Los  Lobos,  and  the  U.S.  American  Spread  of  Conjunto  --  Part  II:  The  Hybridization  of  Conjunto.  "You  have  to  mix  it  up!":  "Seguro  Que  Hell  Yes,"  the  Texas  Tornados,  Los  Super  Seven,  and  the  Cultural  Hybridity  of  Flaco  Jiménez  ;  "I  play  the  jazz  accordion!"  :  "Rueda  de  Fuego  (Ring  of  Fire),"  "My  Toot  Toot,"  and  the  Country/Zydeco  Influences  of  Mingo  Saldívar  and  Steve  Jordan  ;  "It's  jealousy..."  :  Eva  Ybarra  and  the  Hybrid  Offerings  of  Women  in  Conjunto  --  Part  III.  The  Appropriation  of  Conjunto.  "That's  my  music!"  :  Kenji  Katsube,  Dwayne  Verheyden,  and  the  Worldwide  Participation  in  Conjunto  ;  "¡Esto  es  globalización!"  :  Rowwen  Hèze,  the  Rolling  Stones,  and  the  Commercialized.
      ■520    ▼a"A  combination  of  button  accordion  and  bajo  sexto,  conjunto  originated  in  the  Texas-Mexico  borderlands  as  a  popular  dance  music  and  became  a  powerful  form  of  regional  identity.  Today,  listeners  and  musicians  around  the  world  have  embraced  the  genre  and  the  work  of  conjunto  masters  like  Flaco  Jiménez  and  Mingo  Saldívar.  Erin  E.  Bauer  follows  conjunto  from  its  local  origins  through  three  processes  of  globalization--migration  via  media,  hybridization,  and  appropriation--that  boosted  the  music's  reach.  As  Bauer  shows,  conjunto's  encounter  with  globalizing  forces  raises  fundamental  questions.  What  is  conjunto  stylistically  and  socioculturally?  Does  context  change  how  we  categorize  it?  Do  we  consider  the  music  to  be  conjunto  based  on  its  musical  characteristics  or  due  to  its  performance  by  Jiménez  and  other  regional  players?  How  do  similar  local  genres  like  Tejano  and  norteño  relate  to  ideas  of  categorization?  A  rare  look  at  a  fascinating  musical  phenomenon,  Flaco's  Legacy  reveals  how  conjunto  came  to  encompass  new  people,  places,  and  styles"--▼cProvided  by  publisher.
      ■532  0▼3EBSCOhost▼a"EBSCO  evaluates  our  products  based  on  the  Web  Content  Accessibility  Guidelines  (WCAG)  and  the  related  Section  508  and  EN  301  549  regulations  in  the  US  and  EU.  Most  EBSCO  products  are  substantially  conformant  with  WCAG  2.2  level  AA."  Source:  https://connect.ebsco.com/s/article/EBSCO-VPATs?language=en_US.  Last  accessed  April  22,  2025.
      ■588    ▼aDescription  based  on  online  resource;  title  from  digital  title  page  (viewed  on  May  05,  2023).
      ■590    ▼aAdded  to  collection  customer.56279.3
      ■60010▼aJiménez,  Flaco.
      ■650  0▼aConjunto  music▼xHistory  and  criticism.
      ■650  0▼aMusic  and  globalization.
      ■655  4▼aElectronic  books.
      ■77608▼iPrint  version▼aBauer,  Erin  E.,  1983-▼tFlaco's  legacy▼dUrbana  :  University  of  Illinois  Press,  2023▼z9780252045028▼w(DLC)    2022048755
      ■830  0▼aMusic  in  American  life.
      ■85640▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3563537
      ■938    ▼aEBSCOhost▼bEBSC▼n3563537

      미리보기

      내보내기

      chatGPT토론

      Ai 추천 관련 도서


        신착도서 더보기
        관련도서 더보기
        최근 3년간 통계입니다.
        SMS 발송 간략정보 이동 상세정보출력

        소장정보

        • 예약
        • 서가에 없는 책 신고
        • 자료배달서비스
        • 나의폴더
        • 우선정리요청
        소장자료
        등록번호 청구기호 소장처 대출가능여부 대출정보
        EM174733 EB  전자자료 자료대출실(3층) 온라인이용가능 온라인이용가능
        마이폴더

        * 대출중인 자료에 한하여 예약이 가능합니다. 예약을 원하시면 예약버튼을 클릭하십시오.

        해당 도서를 다른 이용자가 함께 대출한 도서

        관련도서

        관련 인기도서

        서평쓰기

        도서위치