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Flaco's legacy [electronic resources] : the globalization of conjunto
Flaco's legacy [electronic resources] : the globalization of conjunto
상세정보
- 자료유형
- 전자책(국외)
- 미국국회도서관 청구기호
- ML3476-.B38 2023
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Flacos legacy [electronic resources] : the globalization of conjunto / Erin E. Bauer.
- 발행, 배포, 간사 사항
- 형태사항
- 1 online resource (viii, 290 pages) : illustrations.
- 총서사항
- Music in American life
- 서지 등 주기
- Includes bibliographical references and index.
- 내용주기
- 완전내용Introduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized.
- 요약 등 주기
- 요약"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"--해제Provided by publisher.
- 주제명부출표목-개인명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 기타형태저록
- Print version Bauer Erin E 1983- Flaco's legacy
- 총서부출표목-통일표제
- Music in American life.
- 전자적 위치 및 접속
- 링크정보보기
MARC
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■020 ▼z9780252045028▼qhardcover
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■040 ▼aEBZ▼beng▼cEBZ
■042 ▼apcc
■049 ▼aMAIN
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■090 ▼a전자자료
■1001 ▼aBauer, Erin E.▼d1983-▼eauthor.
■24510▼aFlaco's legacy ▼h[electronic resources] :▼bthe globalization of conjunto /▼cErin E. Bauer.
■260 ▼aUrbana▼bUniversity of Illinois Press▼c[2023]
■300 ▼a1 online resource (viii, 290 pages)▼billustrations.
■336 ▼atext▼btxt▼2rdacontent
■337 ▼acomputer▼bc▼2rdamedia
■338 ▼aonline resource▼bcr▼2rdacarrier
■3410 ▼atextual▼2sapdv▼3EBSCOhost
■4901 ▼aMusic in American life
■504 ▼aIncludes bibliographical references and index.
■5050 ▼aIntroduction. The Globalization of Conjunto -- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto -- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto -- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized.
■520 ▼a"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music's reach. As Bauer shows, conjunto's encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco's Legacy reveals how conjunto came to encompass new people, places, and styles"--▼cProvided by publisher.
■532 0▼3EBSCOhost▼a"EBSCO evaluates our products based on the Web Content Accessibility Guidelines (WCAG) and the related Section 508 and EN 301 549 regulations in the US and EU. Most EBSCO products are substantially conformant with WCAG 2.2 level AA." Source: https://connect.ebsco.com/s/article/EBSCO-VPATs?language=en_US. Last accessed April 22, 2025.
■588 ▼aDescription based on online resource; title from digital title page (viewed on May 05, 2023).
■590 ▼aAdded to collection customer.56279.3
■60010▼aJiménez, Flaco.
■650 0▼aConjunto music▼xHistory and criticism.
■650 0▼aMusic and globalization.
■655 4▼aElectronic books.
■77608▼iPrint version▼aBauer, Erin E., 1983-▼tFlaco's legacy▼dUrbana : University of Illinois Press, 2023▼z9780252045028▼w(DLC) 2022048755
■830 0▼aMusic in American life.
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■938 ▼aEBSCOhost▼bEBSC▼n3563537
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