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The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. Elliott, Gayle [microform]
The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English S...
The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. Elliott, Gayle [microform]

상세정보

자료유형  
 마이크로피시
언어부호  
본문언어 - English
청구기호  
370.78 E68
    서명/저자  
    The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. : Elliott, Gayle - [microform]
    발행사항  
    : , Mar 94
      형태사항  
      10; 1
      총서명  
      ERIC Reports
      주기사항  
      10p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (45th, Nashville, TN, March 16-19, 1994).
      초록/해제  
      요약Women who wish to assume full voice in their writing have no choice but to raise questions regarding their status and the status of creative writing within the academy. Tillie Olsen and Elaine Showalter have documented the bias in texts taught at the university in which women have little place, if at all. The effects are devastating: if the voices of other women writers have been neglected, the beginning writer is likely to doubt her own voice as well. Small wonder then that both Susan Griffin and Olsen refer to all women who write as survivors. The woman creative writer faces an especially difficult task because creative writing is devalued in English departments. Having attained some degree of professional success outside the academy, the woman creative writer finds in graduate school that the work she does--the fiction and poetry that have earned her place--is by its very nature suspect, regarded as intellectually soft. Traditional academic study--theory, empirical research--is considered essential, the arts supplementary. Creative work is reduced, then, to an optional discipline. As some of the same observations have been made about the field of composition, it is useful to compare the two. Both are concerned with what are traditionally regarded as feminine principles--intuition, emotion, self-expression. It must be acknowledged that it is no accident that these particular fields of study have assumed the low hierarchal spaces taken for granted within education. (TB)
      복제주기  
      Microfiche. . Springfield, VA : ERIC Document Reproduction Service. . microfiches ; 11×15 cm.
      일반주제명  
      키워드  
      기타저자  

      MARC

       008980922s1994        us            b          000  0  eng  d
      ■0010000430182
      ■001PCUL00359399
      ■002ED374423
      ■00520020802192625
      ■007heuumu---buua
      ■008980922s1994        us            b          000  0  eng  d
      ■040    ▼apcul
      ■0410  ▼aEnglish
      ■090    ▼a370.78▼bE68
      ■24500▼aThe  Angel  in  the  Academy:  The  Creative  Writer  as  Helpmeet  on  the  Distaff  Side  of  English  Studies.▼cElliott,  Gayle▼h[microform]
      ■260  ▼cMar  94
      ■300    ▼a10;  1
      ■440  0▼aERIC  Reports
      ■500    ▼a10p.;  Paper  presented  at  the  Annual  Meeting  of  the  Conference  on  College  Composition  and  Communication  (45th,  Nashville,  TN,  March  16-19,  1994).
      ■520    ▼aWomen  who  wish  to  assume  full  voice  in  their  writing  have  no  choice  but  to  raise  questions  regarding  their  status  and  the  status  of  creative  writing  within  the  academy.  Tillie  Olsen  and  Elaine  Showalter  have  documented  the  bias  in  texts  taught  at  the  university  in  which  women  have  little  place,  if  at  all.  The  effects  are  devastating:  if  the  voices  of  other  women  writers  have  been  neglected,  the  beginning  writer  is  likely  to  doubt  her  own  voice  as  well.  Small  wonder  then  that  both  Susan  Griffin  and  Olsen  refer  to  all  women  who  write  as  survivors.  The  woman  creative  writer  faces  an  especially  difficult  task  because  creative  writing  is  devalued  in  English  departments.  Having  attained  some  degree  of  professional  success  outside  the  academy,  the  woman  creative  writer  finds  in  graduate  school  that  the  work  she  does--the  fiction  and  poetry  that  have  earned  her  place--is  by  its  very  nature  suspect,  regarded  as  intellectually  soft.  Traditional  academic  study--theory,  empirical  research--is  considered  essential,  the  arts  supplementary.  Creative  work  is  reduced,  then,  to  an  optional  discipline.  As  some  of  the  same  observations  have  been  made  about  the  field  of  composition,  it  is  useful  to  compare  the  two.  Both  are  concerned  with  what  are  traditionally  regarded  as  feminine  principles--intuition,  emotion,  self-expression.  It  must  be  acknowledged  that  it  is  no  accident  that  these  particular  fields  of  study  have  assumed  the  low  hierarchal  spaces  taken  for  granted  within  education.  (TB)
      ■533    ▼aMicrofiche.▼bSpringfield,  VA▼cERIC  Document  Reproduction  Service.▼emicrofiches  ;  11×15  cm.
      ■650  4▼xEducation
      ■653    ▼aCollege  English▼aCreative  Writing▼aEnglish  Departments▼aFemales▼aFeminism▼aGraduate  Students▼aHigher  Education▼aPolitical  Power▼aProfessional  Recognition▼aDepartmental  Politics▼aFaculty  Attitudes▼aProfessional  Concerns
      ■7001  ▼aElliott,  Gayle
      ■999    ▼a120;  150

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