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The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. Elliott, Gayle [microform]
The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. Elliott, Gayle [microform]
상세정보
- 자료유형
- 마이크로피시
- 언어부호
- 본문언어 - English
- 청구기호
- 서명/저자
- The Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies. : Elliott, Gayle - [microform]
- 발행사항
- 형태사항
- 10; 1
- 총서명
- ERIC Reports
- 주기사항
- 10p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (45th, Nashville, TN, March 16-19, 1994).
- 초록/해제
- 요약Women who wish to assume full voice in their writing have no choice but to raise questions regarding their status and the status of creative writing within the academy. Tillie Olsen and Elaine Showalter have documented the bias in texts taught at the university in which women have little place, if at all. The effects are devastating: if the voices of other women writers have been neglected, the beginning writer is likely to doubt her own voice as well. Small wonder then that both Susan Griffin and Olsen refer to all women who write as survivors. The woman creative writer faces an especially difficult task because creative writing is devalued in English departments. Having attained some degree of professional success outside the academy, the woman creative writer finds in graduate school that the work she does--the fiction and poetry that have earned her place--is by its very nature suspect, regarded as intellectually soft. Traditional academic study--theory, empirical research--is considered essential, the arts supplementary. Creative work is reduced, then, to an optional discipline. As some of the same observations have been made about the field of composition, it is useful to compare the two. Both are concerned with what are traditionally regarded as feminine principles--intuition, emotion, self-expression. It must be acknowledged that it is no accident that these particular fields of study have assumed the low hierarchal spaces taken for granted within education. (TB)
- 복제주기
- Microfiche. . Springfield, VA : ERIC Document Reproduction Service. . microfiches ; 11×15 cm.
- 일반주제명
- 키워드
- 기타저자
MARC
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■001PCUL00359399
■002ED374423
■00520020802192625
■007heuumu---buua
■008980922s1994 us b 000 0 eng d
■040 ▼apcul
■0410 ▼aEnglish
■090 ▼a370.78▼bE68
■24500▼aThe Angel in the Academy: The Creative Writer as Helpmeet on the Distaff Side of English Studies.▼cElliott, Gayle▼h[microform]
■260 ▼cMar 94
■300 ▼a10; 1
■440 0▼aERIC Reports
■500 ▼a10p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (45th, Nashville, TN, March 16-19, 1994).
■520 ▼aWomen who wish to assume full voice in their writing have no choice but to raise questions regarding their status and the status of creative writing within the academy. Tillie Olsen and Elaine Showalter have documented the bias in texts taught at the university in which women have little place, if at all. The effects are devastating: if the voices of other women writers have been neglected, the beginning writer is likely to doubt her own voice as well. Small wonder then that both Susan Griffin and Olsen refer to all women who write as survivors. The woman creative writer faces an especially difficult task because creative writing is devalued in English departments. Having attained some degree of professional success outside the academy, the woman creative writer finds in graduate school that the work she does--the fiction and poetry that have earned her place--is by its very nature suspect, regarded as intellectually soft. Traditional academic study--theory, empirical research--is considered essential, the arts supplementary. Creative work is reduced, then, to an optional discipline. As some of the same observations have been made about the field of composition, it is useful to compare the two. Both are concerned with what are traditionally regarded as feminine principles--intuition, emotion, self-expression. It must be acknowledged that it is no accident that these particular fields of study have assumed the low hierarchal spaces taken for granted within education. (TB)
■533 ▼aMicrofiche.▼bSpringfield, VA▼cERIC Document Reproduction Service.▼emicrofiches ; 11×15 cm.
■650 4▼xEducation
■653 ▼aCollege English▼aCreative Writing▼aEnglish Departments▼aFemales▼aFeminism▼aGraduate Students▼aHigher Education▼aPolitical Power▼aProfessional Recognition▼aDepartmental Politics▼aFaculty Attitudes▼aProfessional Concerns
■7001 ▼aElliott, Gayle
■999 ▼a120; 150



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