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Yonder come the blues : the evolution of a genre
Yonder come the blues : the evolution of a genre / by Pual Oliver [et al].
Yonder come the blues : the evolution of a genre

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자료유형  
 단행본(국외)
미국국회도서관 청구기호  
ML3521-.Y66 2001
자관 청구기호  
781.643 Y55
    표제와 책임표시사항  
    Yonder come the blues : the evolution of a genre / by Pual Oliver [et al].
    발행, 배포, 간사 사항  
    Cambridge ; New York : Cambridge University Press , 2001.
      형태사항  
      xiii, 358 p. : ill., maps ; 26 cm.
      일반주기  
      "First published as three volumes by Studio Vista 1970 and in the USA by Stein and Day Publishers(November Books) 1970" -- T.p.verso
      일반주기  
      Includes discographies
      서지 등 주기  
      Includes bibliographical references and index
      내용주기  
      완전내용Yonder come the blues / Paul Oliver -- Savannah syncopators : African retentions in the blues / Paul Oliver -- Blacks, whites, and blues / Tony Russell -- Recording the blues / Robert M.W. Dixon and John Godrich -- Afterword / Howard Rye.
      요약 등 주기  
      요약This book combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional new essays, the book discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasize the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
      주제명부출표목-일반주제명  
      주제명부출표목-일반주제명  
      부출표목-개인명  
      Oliver Pual , 1927-
        부출표목-비통제 관련/분출 표제  
        the evolution of a genre

        MARC

         008050905s2001        uk  ab                  001  0  eng
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        ■00520050905171448
        ■008050905s2001        uk  ab                  001  0  eng    
        ■010    ▼a00028917
        ■020    ▼a0521782597(hc)
        ■020    ▼a0521787777(pbk.)▼c£15.99
        ■040    ▼a225006▼c225006▼d225006
        ■05000▼aML3521▼b.Y66  2001
        ■08200▼a781.643▼221
        ■090    ▼a781.643▼bY55
        ■24500▼aYonder  come  the  blues▼bthe  evolution  of  a  genre▼cby  Pual  Oliver  [et  al].
        ■260    ▼aCambridge  ;  New  York▼bCambridge  University  Press▼c2001.
        ■300    ▼axiii,  358  p.▼bill.,  maps▼c26  cm.
        ■500    ▼a"First  published  as  three  volumes  by  Studio  Vista  1970  and  in  the  USA  by  Stein  and  Day  Publishers(November  Books)  1970"  --  T.p.verso
        ■500    ▼aIncludes  discographies
        ■504    ▼aIncludes  bibliographical  references  and  index
        ■5050  ▼aYonder  come  the  blues  /  Paul  Oliver  --  Savannah  syncopators  :  African  retentions  in  the  blues  /  Paul  Oliver  --  Blacks,  whites,  and  blues  /  Tony  Russell  --  Recording  the  blues  /  Robert  M.W.  Dixon  and  John  Godrich  --  Afterword  /  Howard  Rye.  
        ■520    ▼aThis  book  combines  three  influential  and  much-quoted  books:  Savannah  Syncopators;  Blacks,  Whites  and  Blues  and  Recording  the  Blues.  Updated  with  additional  new  essays,  the  book  discusses  the  crucial  early  development  of  the  blues  as  a  music  of  Blacks  in  the  United  States,  explaining  some  of  the  most  significant  factors  that  shaped  this  music.  Together,  these  three  texts  emphasize  the  significance  of  the  African  heritage,  the  mutuality  of  much  white  and  black  music  and  the  role  of  recording  in  consolidating  the  blues,  thus  demonstrating  the  importance  of  these  formative  elements  in  its  complex  but  combined  socio-musical  history.  Redressing  some  of  the  misconceptions  that  persist  in  writing  on  African-American  music,  this  book  will  be  essential  reading  for  all  enthusiasts  of  blues,  jazz  and  country  music  and  will  be  important  for  students  of  African-American  studies  and  music,  popular  music  and  popular  culture.  
        ■650  0▼aBlues(Music)▼xHistory  and  criticism
        ■650  0▼aAfrican  Americans▼xMusic▼xHistory  and  criticism
        ■7001  ▼aOliver,  Pual▼d1927-
        ■7400  ▼athe  evolution  of  a  genre

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