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This is the beat generation : New York, San Francisco, Paris
This is the beat generation : New York, San Francisco, Paris / by James Campbell
This is the beat generation : New York, San Francisco, Paris

상세정보

자료유형  
 단행본(국외)
미국국회도서관 청구기호  
PS226-B6 C36 2001
자관 청구기호  
810.90054 C188t
    기본표목-개인명  
    표제와 책임표시사항  
    This is the beat generation : New York, San Francisco, Paris / by James Campbell
    발행, 배포, 간사 사항  
    Berkeley : University of California Press , 2001.
      형태사항  
      xiii, 320p., [16]p.of plates : ill. ; 23 cm.
      일반주기  
      "First California paperback"--T.p. verso.
      일반주기  
      Originally published:London:Secker&Warburg 1999.
      서지 등 주기  
      Includes bibliographical references(p.286-308) and index
      요약 등 주기  
      요약Publisher's description: Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--The murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up." In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.
      주제명부출표목-개인명  
      주제명부출표목-개인명  
      Kerouac Jack , 1922-1969
        주제명부출표목-개인명  
        Ginsberg Allen , 1926-
          주제명부출표목-일반주제명  
          주제명부출표목-일반주제명  
          주제명부출표목-일반주제명  
          주제명부출표목-일반주제명  
          주제명부출표목-지명  
          주제명부출표목-지명  
          주제명부출표목-지명  

          MARC

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          ■001MOKWON00634234
          ■00520050912172017
          ■008050912s2001        us  af                  001  0deng    
          ■010    ▼a2001027672
          ■020    ▼a0520230337(pbk.:alk.paper)▼c$17.95
          ■040    ▼a225006▼c225006▼d225006
          ■05000▼aPS226▼bB6  C36  2001
          ■08200▼a810.9.0054▼221
          ■090    ▼a810.90054▼bC188t
          ■1001  ▼aCampbell,  James  
          ■24510▼aThis  is  the  beat  generation▼bNew  York,  San  Francisco,  Paris▼cby  James  Campbell
          ■260    ▼aBerkeley▼bUniversity  of  California  Press▼c2001.
          ■300    ▼axiii,  320p.,  [16]p.of  plates▼bill.▼c23  cm.
          ■500    ▼a"First  California  paperback"--T.p.  verso.  
          ■500    ▼aOriginally  published:London:Secker&Warburg  1999.
          ■504    ▼aIncludes  bibliographical  references(p.286-308)  and  index
          ■520    ▼aPublisher's  description:  Beginning  in  New  York  in  1944,  James  Campbell  finds  the  leading  members  of  what  was  to  become  the  Beat  Generation  in  the  shadows  of  madness  and  criminality.  Jack  Kerouac,  Allen  Ginsberg,  and  William  Burroughs  had  each  seen  the  insides  of  a  mental  hospital  and  a  prison  by  the  age  of  thirty.  A  few  months  after  they  met,  another  member  of  their  circle  committed  a  murder  that  involved  Kerouac  and  Burroughs  as  material  witnesses.  This  book  charts  the  transformation  of  these  experiences  into  literature,  and  a  literary  movement  that  spread  across  the  globe.  From  "The  First  Cut-Up"--The  murder  in  New  York  in  1944--we  end  up  in  Paris  in  1960  with  William  Burroughs  at  the  Beat  Hotel,  experimenting  with  the  technique  that  made  him  notorious,  what  Campbell  calls  "The  Final  Cut-Up."  In  between,  we  move  to  San  Francisco,  where  Ginsberg  gave  the  first  public  reading  of  Howl.  We  discover  Burroughs  in  Mexico  City  and  Tangiers;  the  French  background  to  the  Beats;  the  Buddhist  influence  on  Kerouac,  Gary  Snyder,  and  others;  the  "Muses"  Herbert  Huncke  and  Neal  Cassady;  the  tortuous  history  of  On  the  Road;  and  the  black  ancestry  of  the  white  hipster.
          ■60010▼aBurroughs,  William  S.▼d1914-
          ■60010▼aKerouac,  Jack▼d1922-1969
          ■60010▼aGinsberg,  Allen▼d1926-
          ■650  0▼aBeat  generation
          ■650  0▼aAmerican  literature▼y20th  century▼xHistory  and  criticism
          ■650  0▼aAmericans▼zFrance▼zParis▼xHistory▼y20th  century
          ■650  0▼aAuthors,  American▼y20th  century▼xBiography
          ■651  0▼aNew  York(N.Y.)▼xIntellectual  life▼y20th  century
          ■651  0▼aSan  Francisco(Calif.)▼xIntellectual  life▼y20th  century
          ■651  0▼aParis(France)▼xIntellectual  life▼y20th  century

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