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상세정보
Jazz cultures
Jazz cultures
상세정보
- 자료유형
- 단행본(국외)
- 미국국회도서관 청구기호
- ML3507-.A44 2002
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- Jazz cultures / David Andrew Ake.
- 발행, 배포, 간사 사항
- 형태사항
- xiii, 223 p : ill. ; 25 cm.
- 서지 등 주기
- Includes bibliographical references (p. 177-208) and index.
- 내용주기
- 완전내용"Blue horizon" : Creole culture and early New Orleans jazz -- Jazz historiography and the problem of Louis Jordan -- Regendering jazz : Ornette Coleman and the New York scene in the late 1950s -- Body and soul : performing deep jazz -- Jazz 'traning : John Coltrane and the conservatory -- Jazz traditioning : setting standards at century's close.
- 요약 등 주기
- 요약From its begining, Jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and auduences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals -- as well as the sounds -- that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musician's postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsails and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate -- and oftentimes conflicting -- actions, ideals, and attitudes.
- 복제주기
- Electronic reproduction. . Boulder, Colo. : NetLibrary, 2003 Available via World Wide Web Access may be limited to NetLibrary affiliated libraries.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 부출표목-단체명
MARC
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■008051004s2002 caua sb 001 0 eng d
■010 ▼a2001027443
■020 ▼a0585465886 (electronic bk.)
■020 ▼a0520228871(alk.paper)
■020 ▼a0520228898(pbk.:alk.paper)▼c$18.95
■035 ▼aKRIC09122722
■040 ▼a225006▼c225006▼d225006
■05000▼aML3507▼b.A44 2002
■08200▼a781.65▼220
■090 ▼a781.65▼bA313j
■1001 ▼aAke, David Andrew▼d1961-
■24510▼aJazz cultures▼cDavid Andrew Ake.
■260 ▼aBerkeley▼bUniversity of California Press▼c2002.
■300 ▼axiii, 223 p▼bill.▼c25 cm.
■504 ▼aIncludes bibliographical references (p. 177-208) and index.
■5050 ▼a"Blue horizon" : Creole culture and early New Orleans jazz -- Jazz historiography and the problem of Louis Jordan -- Regendering jazz : Ornette Coleman and the New York scene in the late 1950s -- Body and soul : performing deep jazz -- Jazz 'traning : John Coltrane and the conservatory -- Jazz traditioning : setting standards at century's close.
■520 ▼aFrom its begining, Jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and auduences experience and understand themselves, their music, their communities, and the world at large. Writing as a professional pianist and composer, the author looks at evolving meanings, values, and ideals -- as well as the sounds -- that musicians, audiences, and critics carry to and from the various activities they call jazz. Among the compelling topics he discusses is the "visuality" of music: the relationship between performance demeanor and musical meaning. Focusing on pianists Bill Evans and Keith Jarrett, Ake investigates the ways in which musician's postures and attitudes influence perceptions of them as profound and serious artists. In another essay, Ake examines the musical values and ideals promulgated by college jazz education programs through a consideration of saxophonist John Coltrane. He also discusses the concept of the jazz "standard" in the 1990s and the differing sense of tradition implied in recent recordings by Wynton Marsails and Bill Frisell. Jazz cultures shows how jazz history has not consisted simply of a smoothly evolving series of musical styles, but rather an array of individuals and communities engaging with disparate -- and oftentimes conflicting -- actions, ideals, and attitudes.
■533 ▼aElectronic reproduction.▼bBoulder, Colo.▼cNetLibrary▼d2003▼nAvailable via World Wide Web▼nAccess may be limited to NetLibrary affiliated libraries.
■650 0▼aJazz▼xHistory and criticism.
■650 6▼aJazz▼xHistoire et critique.
■655 7▼aElectronic books.▼2local
■7102 ▼aNetLibrary, Inc.
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