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British silent cinema and The Great War
British silent cinema and The Great War
상세정보
- 자료유형
- 단행본(국외)
- 언어부호
- 본문언어 - eng
- 미국국회도서관 청구기호
- D522.23-.B75 2011
- 자관 청구기호
- 기본표목-개인명
- 표제와 책임표시사항
- British silent cinema and The Great War / edited by Michael Hammond, Michael Williams.
- 발행, 배포, 간사 사항
- 형태사항
- xi, 197 p. : ill ; 23 cm.
- 서지 등 주기
- Includes bibliographical references (p. 186-191) and index.
- 내용주기
- 1. Goodbye to all that or business as usual?: history and memory of the Great War in British cinema Michael Hammond and Michael Williams -- Part I. The War 2. The Battle of the Somme (1916): an industrial process film that 'Wounds the heart' Michael Hammond 3. British and Colonial: what the company did in the Great War Gerry Turvey 4. 'Improper Practices' in Great War British cinemas Paul Moody 5. 'Shells, Shots and Shrapnel': Picturegoer goes to war Jane Bryan -- Part II. Aftermath: Memory and Memorial 6. 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927) Amy Sargeant 7. Remembering the war in 1920s British cinema Christine Gledhill 8. Remembrance, re-membering, and recollection: Walter Summers and the British war film of the 1920s Lawrence Napper 9. 'Fire, Blood and Steel': memory and spectacle in The Guns of Loos (Sinclair Hill, 1928) Michael Williams -- Part III. Notes from the Archive 10. Hello to all this: music, memory and revisiting the Great War Neil Brand 11. The dead, battlefield burials and the unveiling of war memorials in films of the Great War era Toby Haggith 12. Anticipating the Blitz Spirit in First World War propaganda film: evidence in the Imperial War Museum Archive Roger Smither 13. 'How Shall We Look Again'?: revisiting the archive in British silent film and the Great War Bryony Dixon and Laraine Porter.
- 요약 등 주기
- 요약"This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s. "--해제Provided by publisher.
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 주제명부출표목-일반주제명
- 부출표목-개인명
MARC
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■040 ▼aDLC▼cDLC▼dYDX▼dBTCTA▼dERASA▼dYDXCP▼dUKMGB▼dCDX▼dBWX▼dPUL▼dIAD▼dIUL▼dSTF▼dDLC▼d225006
■0410 ▼aeng
■042 ▼apcc
■043 ▼ae-uk---
■05000▼aD522.23▼b.B75 2011
■08200▼a791.43/63582821▼222
■084 ▼aPER004030▼aHIS027090▼aHIS037070▼2bisacsh
■090 ▼a791.4363582821▼bH227b
■1001 ▼aHammond, Michael▼d1954-
■24510▼aBritish silent cinema and The Great War▼cedited by Michael Hammond, Michael Williams.
■260 ▼aHoundmills, Basingstoke, Hampshire ▼aNew York▼bPalgrave Macmillan▼c2011.
■300 ▼axi, 197 p.▼bill▼c23 cm.
■504 ▼aIncludes bibliographical references (p. 186-191) and index.
■50500▼g1.▼tGoodbye to all that or business as usual?: history and memory of the Great War in British cinema▼rMichael Hammond and Michael Williams --▼gPart I.▼tThe War▼g2.▼tThe Battle of the Somme (1916): an industrial process film that 'Wounds the heart'▼rMichael Hammond▼g3.▼tBritish and Colonial: what the company did in the Great War▼rGerry Turvey▼g4.▼t'Improper Practices' in Great War British cinemas▼rPaul Moody▼g5.▼t'Shells, Shots and Shrapnel': Picturegoer goes to war▼rJane Bryan --▼gPart II. Aftermath: Memory and Memorial▼g6.▼t'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927)▼rAmy Sargeant▼g7.▼tRemembering the war in 1920s British cinema▼rChristine Gledhill▼g8.▼tRemembrance, re-membering, and recollection: Walter Summers and the British war film of the 1920s▼rLawrence Napper▼g9.▼t'Fire, Blood and Steel': memory and spectacle in The Guns of Loos (Sinclair Hill, 1928)▼rMichael Williams --▼gPart III.▼tNotes from the Archive▼g10.▼tHello to all this: music, memory and revisiting the Great War▼rNeil Brand▼g11.▼tThe dead, battlefield burials and the unveiling of war memorials in films of the Great War era▼rToby Haggith▼g12.▼tAnticipating the Blitz Spirit in First World War propaganda film: evidence in the Imperial War Museum Archive▼rRoger Smither▼g13.▼t'How Shall We Look Again'?: revisiting the archive in British silent film and the Great War▼rBryony Dixon and Laraine Porter.
■520 ▼a"This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s. "--▼cProvided by publisher.
■650 0▼aWorld War, 1914-1918▼xMotion pictures and the war.
■650 0▼aSilent films▼zGreat Britain▼xHistory and criticism.
■650 0▼aHistorical films▼zGreat Britain▼xHistory and criticism.
■650 0▼aMotion pictures▼zGreat Britain▼xHistory▼y20th century.
■7001 ▼aWilliams, Michael▼d1971-
■999 ▼a박재용▼c오혜원
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